Michael Laurence Nyman is an English composer of minimalist music, pianist, librettist, and musicologist. His output is recognized for numerous film scores, many developed through a sustained collaboration with filmmaker Peter Greenaway, alongside the multi-platinum soundtrack for The Piano. Nyman often favors writing operas over other musical forms. He has also composed concerti and string quartets, frequently performed by his own Michael Nyman Band, for whom he also performs as a pianist.
A selection of pieces and arrangements by Michael Nyman of his best-known film music. Including music from The Draughtsman's Contract, Drowning By Numbers, Carrington and The Piano.
Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.
This song sets a text from Walt Whitman's Mannahatta. This is a version of music originally commissioned by Eos for a ten-minute silent film of the same name. Duration ca. 8 minutes.
(Piano). Water Dances is a work scored for two pianos from 2011. Much of the work is an arrangement of the music written for the Michael Nyman Band for Peter Greenaway's 1984 film Making a Splash . The two-piano version was recorded by the Labeque sisters for their CD Minimalist Dream House on the KML/Deutsche Grammophon label.
1. Bird List Song -- 2. Drawing days 4 and 5 -- 3. Mouth to Mouth -- 4. Melody Lists. Of advanced difficulty.
Composed for an experimental 1920 film, this piece features a unique collaboration between trumpet and piano, showcasing Michael Nyman's innovative style. Written in 2003, it captures the essence of urban life as depicted in 'Manhatta', blending contemporary composition with historical cinematic themes. The music reflects the bustling energy of city crowds, offering a modern interpretation of the film's visual narrative.
Slovenský překlad publikace známého britského skladatele věnované především anglo-americké hudbě. Autor zkoumá tradici a vývoj experimentální hudby vyrůstající po 2. světové válce zejména z myšlenek amerického skladatele J. Cage.
