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Nietzsche's writing is not some game of 'freeplay' and terms like 'intertextuality' are useless in discussing its influence. This study takes Nietzsche, then Kafka's Trial , Thomas Mann's Death in Venice , Heinrich Mann's Man of Straw , Rilke's Malte Laurids Brigge and Musil's Törless . It argues that Nietzsche mediates and modernises the dilemmas of Romanticism and that a properly differentiated account of his literary reception can illuminate the dynamics of German culture on the eve of the Great War.
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Nietzsche and the end of freedom, James Hawes
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- 1993
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