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Quasi una fantasia

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This collection covers a wide range of topics, from a moving study of Bizet’s Carmen to an entertainingly caustic exploration of the hierarchies of the auditorium. Especially significant is Adorno’s “dialectical portrait” of Stravinsky, in which Adorno both reconsiders and refines his damning indictment of the composer in Philosophy on Modern Music. Throughout, Adorno is sustained by the conviction that music is supremely human because it is capable of communicating inhumanity while resisting it. His belief in the benevolent and transformative power of music reverberates throughout these writings.

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Quasi una fantasia, Theodor W. Adorno

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Released
2011
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Title
Quasi una fantasia
Language
English
Publisher
Verso Books
Released
2011
Format
Paperback
Pages
348
ISBN10
1844677923
ISBN13
9781844677924
Series
Original title
Quasi una fantasia
Rating
4.15 out of 5
Description
This collection covers a wide range of topics, from a moving study of Bizet’s Carmen to an entertainingly caustic exploration of the hierarchies of the auditorium. Especially significant is Adorno’s “dialectical portrait” of Stravinsky, in which Adorno both reconsiders and refines his damning indictment of the composer in Philosophy on Modern Music. Throughout, Adorno is sustained by the conviction that music is supremely human because it is capable of communicating inhumanity while resisting it. His belief in the benevolent and transformative power of music reverberates throughout these writings.