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  • 188 pages
  • 7 hours of reading

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In The Narrow Road to Oku, Basho embarks on a 150-day journey, covering 600 ri on foot, showcasing his remarkable endurance at the age of forty. This journey took place three centuries ago, a time when travelers averaged 9 ri per day, making Basho's trek all the more impressive. Today, with modern transportation, it’s hard to fathom the experience of "drifting with the clouds and streams," and "lodging under trees and on bare rocks." The text, though under 50 pages, feels much longer, evoking awe for Basho's 2,450-kilometer adventure. I chose this work as the theme for my exhibition celebrating thirty years as an artist, drawn by my long-standing interest in illustrating Japanese literature. However, I soon realized the complexity of this task. Last year, I illustrated 54 pictures for Tanizaki Jun'ichiro's translation of The Tale of Genji, a significant challenge given my personal connection to the author. Unlike selecting a "face" for each chapter, illustrating each haiku in Basho's work required distilling meaning into a single "dot." One misinterpretation could disconnect the image from Basho's spirit, making it merely an illustration. I meticulously analyzed each 17-syllable poem, hoping to capture the "kotadama," or miraculous power of words. Basho, a pioneer of travel literature, expressed the essence of elegance in journeying, and I aspire to reflect even a fragment of his vision in my art.

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The Narrow Road to Oku, Matsuo Bashō, Donald Keene, Masayuki Miyata, 松尾芭蕉, ドナルド・キーン, 宮田雅之

Language
Released
2003
Binding
(Paperback),
Book condition
Good
Price
€24.49

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Title
The Narrow Road to Oku
Language
English
Publisher
Kodansha USA
Released
2003
Format
Paperback
Pages
188
ISBN10
4770020287
ISBN13
9784770020284
Series
First published
1702
Original title
Oku no hosomiči
Rating
4.15 out of 5
Description
In The Narrow Road to Oku, Basho embarks on a 150-day journey, covering 600 ri on foot, showcasing his remarkable endurance at the age of forty. This journey took place three centuries ago, a time when travelers averaged 9 ri per day, making Basho's trek all the more impressive. Today, with modern transportation, it’s hard to fathom the experience of "drifting with the clouds and streams," and "lodging under trees and on bare rocks." The text, though under 50 pages, feels much longer, evoking awe for Basho's 2,450-kilometer adventure. I chose this work as the theme for my exhibition celebrating thirty years as an artist, drawn by my long-standing interest in illustrating Japanese literature. However, I soon realized the complexity of this task. Last year, I illustrated 54 pictures for Tanizaki Jun'ichiro's translation of The Tale of Genji, a significant challenge given my personal connection to the author. Unlike selecting a "face" for each chapter, illustrating each haiku in Basho's work required distilling meaning into a single "dot." One misinterpretation could disconnect the image from Basho's spirit, making it merely an illustration. I meticulously analyzed each 17-syllable poem, hoping to capture the "kotadama," or miraculous power of words. Basho, a pioneer of travel literature, expressed the essence of elegance in journeying, and I aspire to reflect even a fragment of his vision in my art.