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Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction

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  • 240 pages
  • 9 hours of reading

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The book explores how postwar abstract modernist paintings are perceived as representations of masculine identity. It delves into the critical discourse surrounding influential artists such as Matisse, de Kooning, Pollock, and the post-painterly Abstractionists, analyzing the cultural and artistic implications of their work. Through this examination, the text uncovers the intersection of art and gender, revealing how these paintings reflect broader societal notions of selfhood and masculinity.

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Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction, Marcia Brennan

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Released
2004
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(Hardcover)
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Title
Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction
Language
English
Publisher
MIT Press
Released
2004
Format
Hardcover
Pages
240
ISBN13
9780262025713
Series
Description
The book explores how postwar abstract modernist paintings are perceived as representations of masculine identity. It delves into the critical discourse surrounding influential artists such as Matisse, de Kooning, Pollock, and the post-painterly Abstractionists, analyzing the cultural and artistic implications of their work. Through this examination, the text uncovers the intersection of art and gender, revealing how these paintings reflect broader societal notions of selfhood and masculinity.