Jazz Transatlantic, Volume II

Focusing on the rich interplay between African musicians and various jazz genres from the late 1940s to the 1970s, this volume deepens the exploration initiated in the first. Gerhard Kubik highlights how swing, bebop, and post-bop shaped the jazz landscape in Africa, showcasing individual artists' histories and contributions. His insights are enriched by personal experiences and extensive fieldwork, placing the musicians' artistry within a broader social framework and honoring their impact on the evolution of jazz.