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Samples for Pieces - Maybe

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Industrially prefabricated objects dominate works by Birgit Werres, yet they enter into heterogeneous combinations with additional elements made by the artist. Birgit Werres finds her materials in warehouses and at industrial production sites, where she encounters the things that arouse her aesthetic interest, which has been fine-tuned for many years. She initially studied under Tony Cragg, before graduating from Irmin Kamp's class. Her rededication of profane figurativeness is carried out in sequences, stratifications, or composite materials. In such works, the artist continues to expand on formal characteristics such as volume, texture, and structure. The striking intrinsic color of the materials tends to be of great significance. In contrast to the monumental corporeality of the objects, it additionally obscures the origin, function, and properties of the material. Her unconventional sculptures and installations are quite often mentioned in reference to works by Robert Smithson, Barry Le Va, Richard Artschwager, and Richard Serra.

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Samples for Pieces - Maybe, Birgit Werres, Laura Kienbaum, Jochen Kienbaum

Language
Released
2018
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Title
Samples for Pieces - Maybe
Language
English
Released
2018
Format
Hardcover
Pages
93
ISBN10
3864422744
ISBN13
9783864422744
Series
Description
Industrially prefabricated objects dominate works by Birgit Werres, yet they enter into heterogeneous combinations with additional elements made by the artist. Birgit Werres finds her materials in warehouses and at industrial production sites, where she encounters the things that arouse her aesthetic interest, which has been fine-tuned for many years. She initially studied under Tony Cragg, before graduating from Irmin Kamp's class. Her rededication of profane figurativeness is carried out in sequences, stratifications, or composite materials. In such works, the artist continues to expand on formal characteristics such as volume, texture, and structure. The striking intrinsic color of the materials tends to be of great significance. In contrast to the monumental corporeality of the objects, it additionally obscures the origin, function, and properties of the material. Her unconventional sculptures and installations are quite often mentioned in reference to works by Robert Smithson, Barry Le Va, Richard Artschwager, and Richard Serra.