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  • 400 pages
  • 14 hours of reading

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The twentieth century was--among all else--a century of things. From the handmade object to the mass produced, these things that once served a purpose soon became harbingers of beauty, modernity and innovation. Beyond the material, these objects have stimulated fantasies that convey an image about a time and a place, so that now even an everyday telephone or radio that has long been discontinued can experience a rebirth as a cult object only to be purchased for lofty sums of money at an auction. The Ecstasy of Things illustrates how product photography reflects the world of things as captured in varying lights for designers, manufacturers and advertising agencies. Collected here are nearly 500 photographs--many of which were unearthed from company and agency archives worldwide on behalf of the Fotomuseum Winterthur and the Swiss Photography Foundation. This book most impressively demonstrates how the emotional and symbolic content of an object was represented through the changing tastes and aesthetics throughout the twentieth century. At the same time, the collection is a wealth of forms, a colorful compendium of design and a photographic history of the past century as illustrated through our possessions.

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The Ecstasy of Things, Norbert Bolz, Thomas Seelig, Gerda Breuer, Neil Cummings, Gisela Ecker, David Campany, Hubertus von Amelunxen, Michael Jakob, Urs Stahel, Timm Starl, Michel Frizot, Thilo Koenig, Susanne Scholz

Language
Released
2004
product-detail.submit-box.info.binding
(Hardcover),
Book condition
Very Good
Price
€11.49

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Title
The Ecstasy of Things
Subtitle
From Functional Object to Fetish in Twentieth Century Photography
Language
English
Format
Hardcover
Pages
400
ISBN10
3865210856
ISBN13
9783865210852
Series
Tags
Description
The twentieth century was--among all else--a century of things. From the handmade object to the mass produced, these things that once served a purpose soon became harbingers of beauty, modernity and innovation. Beyond the material, these objects have stimulated fantasies that convey an image about a time and a place, so that now even an everyday telephone or radio that has long been discontinued can experience a rebirth as a cult object only to be purchased for lofty sums of money at an auction. The Ecstasy of Things illustrates how product photography reflects the world of things as captured in varying lights for designers, manufacturers and advertising agencies. Collected here are nearly 500 photographs--many of which were unearthed from company and agency archives worldwide on behalf of the Fotomuseum Winterthur and the Swiss Photography Foundation. This book most impressively demonstrates how the emotional and symbolic content of an object was represented through the changing tastes and aesthetics throughout the twentieth century. At the same time, the collection is a wealth of forms, a colorful compendium of design and a photographic history of the past century as illustrated through our possessions.