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This short-story collection <i>Welcome to the Monkey House</i> (1968) incorporates almost completely Vonnegut’s 1961 “Canary in a Cathouse,” which appeared within a few months of <i>Slaughterhouse-Five</i> and capitalized upon that breakthrough novel and the enormous attention it suddenly brought. Drawn from both specialized science fiction magazines and the big-circulation general magazines which Vonnegut had been one of the few science writers to sell, the collection includes some of his most accomplished work from 1950 to 1968. The title story may be his most famous—a diabolical government asserts control through compulsory technology removing orgasm from sex—but Vonnegut’s bitterness and wit, not in his earlier work as poisonous or unshielded as it later became, is well demonstrated. Two early stories from Galaxy science fiction magazine and one from Fantasy &amp; Science Fiction (the famous “Harrison Bergeron”) show Vonnegut’s careful command of a genre about which he was always ambivalent, stories like “More Stately Mansions” or “The Foster Portfolio” the confines and formula of a popular fiction of which he was always suspicious. Vonnegut’s affection for humanity and bewilderment as its corruption are manifest in these early works. Several of these stories (those which appeared in Collier’s) were commissioned by Vonnegut’s Cornell classmate and great supporter Knox Burger, also born in 1922.