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Michael Cunningham

    November 6, 1952

    Michael Cunningham crafts narratives with a keen sense of psychological nuance, exploring human connection and the search for identity. His works delve into the complexities of emotion and the transformative moments that shape our lives. With profound insight into the human condition and a distinctive voice, he offers readers an immersive literary experience. His prose is both poetic and incisive, capturing the essence of lived experience.

    Michael Cunningham
    Death in Venice
    Land's End
    The hours
    A Home at the End of the World
    Flesh and blood
    How to (Almost) Make Friends on the Internet
    • Get ready for the online adventures of one man who just wants to make friends. And one very annoyed world. Based on the ingenious Sir Michael Twitter account, How to (Almost) Make Friends on the Internet is the funniest book you'll read this year. Whether it's offering his services as a Karate Lawyer or Funeral DJ, devising the world's worst plan to get a free haircut, or trying to buy a blue bucket that may or may not be for sale, Michael just wants to connect with people. The only problem is that people are slightly less enthusiastic about connecting with him, and the results are utterly hilarious. Warning: you'll never think about adding someone called Michael to a group chat the same way ever again.

      How to (Almost) Make Friends on the Internet
      4.1
    • An epic tale of three generations of an American family--and the ambition, violence, deceptions and hard-won love that shapes their lives. Rich in vivid details and masterfully crafted characters' lives, and narrated in a voice of great emotional power and sensitivity, Flesh and Blood is an unforgettable, moving and stunning portrait of contemporary America.

      Flesh and blood
      4.1
    • A Home at the End of the World

      • 344 pages
      • 13 hours of reading

      'One of the finest novels I have read in years' John Banville, Observer 'It was the start of my second new life, in a city that had a spin of its own - a wilder orbit inside the earth's calm blue-green whirl. New York wasn't open to the hopelessness and lost purpose that drifted around lesser places . . . ' Meet Bobby, Jonathan and Clare. Three friends, three lovers, three ordinary people trying to make a life for themselves. In the harsh and uncompromising world of the seventies and eighties, they are outsiders, misfits, dreamers without a blueprint. But as they form a new kind of relationship, a new approach to family and love - questioning so much about the world around them - so they hope to create a space, a home, in which to live. 'Intensely, almost painfully intimate. A superb and major novel' David Leavitt 'A writer of great gifts. Cunningham's voice reaches that lyrical beauty in which even the grimmest events suggest their potential for grace' TheNew York Times Book Review 'As well as being fluent and attractive, this intimate saga of our times is immensely wise' Mail on Sunday 'Cunningham writes with power and delicacy of his three characters. Yet each one retains the mystery that in people is called soul, and in fiction is called art' TheLos Angeles Times

      A Home at the End of the World
      4.0
    • The hours

      • 240 pages
      • 9 hours of reading

      This novel takes Virginia Woolf's life and work as inspiration for a meditation on artistic behaviour, failure, love and madness. Moving across the decades and between England and America, the story explores the pain and trauma of creativity and the immutable relationship between writer and reader.

      The hours
      4.0
    • Land's End

      • 175 pages
      • 7 hours of reading

      Provincetown, physically remote, and heartbreakingly beautiful, has been amenable and intriguing to outsiders for as long as it has existed. Written by the author of the best-selling, Pulitzer Prize-winning The Hours, this work brings us Provincetown, one of the extraordinary towns in the US, perched on the sandy tip at the end of Cape Cod.

      Land's End
      3.9
    • Death in Venice tells how Gustave von Aschenbach, a writer utterly absorbed in his work, arrives in Venice as a result of a 'youthfully ardent thirst for distant scenes,' and meets there a young boy by whose beauty he becomes obsessed. His pitiful pursuit of the object of his abnormal affection and its inevitable and pathetic climax is told here with the particular skill the author has for this shorter form of fiction. (blurb) Em A Morte em Veneza, Thomas Mann apresenta uma escrita complexa e profunda, onde quase cada parágrafo pode ter várias leituras. Em contraponto, o enredo é praticamente inexistente: um homem de meia-idade viaja até Veneza, apaixona-se platonicamente por um jovem rapaz polaco extremamente atraente e morre sem sequer ter trocado uma palavra com ele.

      Death in Venice
      3.8
    • Specimen days

      • 308 pages
      • 11 hours of reading

      This is one of the most anticipated novels of this or any other year, from the Pulitzer Prize-winning author of The Hours.

      Specimen days
      3.6
    • A Wild Swan: And Other Tales

      • 144 pages
      • 6 hours of reading

      Here are the moments that our fairy tales forgot or deliberately concealed, reimagined by one of the most gifted storytellers of his generation, the Pulitzer Prize winning author of The Hours, and exquisitely illustrated by Yuko Shimizu. Rarely have our bedtime stories been this dark, this perverse, or this true.

      A Wild Swan: And Other Tales
      3.6
    • As the world changes, a family navigates the complexities of growing up, aging, and the ebb and flow of love, loss, and resilience. In a cozy Brooklyn brownstone, the facade of domestic happiness begins to crumble. Dan and Isabel, a troubled couple, find themselves both drawn to Isabel’s younger brother, Robbie, a free spirit living in the attic. As Robbie grapples with heartbreak and an online persona, his impending departure threatens to fracture the family. Meanwhile, ten-year-old Nathan takes tentative steps toward independence, while five-year-old Violet tries to ignore the widening chasm between her parents. As the world enters lockdown in 2020, the brownstone feels more like a prison. Violet becomes fixated on safety, fearing the outside world, while Nathan pushes against her rules. Isabel and Dan communicate through thinly veiled frustrations, and Robbie finds himself isolated in Iceland, alone with his thoughts and a secret online life. By 2021, as the family emerges from the crisis, they confront a transformed reality, reflecting on their losses and what they’ve learned. This poignant narrative explores the intricacies of love, loss, and the challenges of family life, revealing how to coexist both together and apart.

      Day
      3.5
    • From the Pultizer Prize-winning author of `The Hours', comes the story of a marriage thrown off course by a moment of mistaken identity. číst celé

      By Nightfall
      3.5
    • The Snow Queen

      • 258 pages
      • 10 hours of reading

      In November 2004, Barrett Meeks, reeling from another lost love, finds himself in Central Park, where he is inexplicably drawn to a pale, translucent light in the sky that seems to regard him with a godlike presence. Despite his skepticism towards visions and faith, he cannot ignore this experience. Meanwhile, in Bushwick, Brooklyn, Beth, engaged to Barrett's older brother Tyler, is battling colon cancer. Together, they navigate a fragile yet happy existence. Tyler, a struggling musician with a drug addiction, is desperately trying to compose a wedding song that transcends mere sentimentality to embody eternal love. As Barrett grapples with the significance of the light, he unexpectedly turns to religion, while Tyler increasingly believes that drugs are the key to unlocking his creative potential. Beth confronts her mortality with courage and stoicism. The narrative follows the divergent paths of the Meeks brothers in their quests for transcendence. With subtle, lucid prose, the author captures the complexities of his characters and delves into the depths of the human soul, blending beauty and heartbreak, comedy and tragedy, affirming his status as a significant voice in contemporary literature.

      The Snow Queen
      3.1
    • Daddy's Weekend

      • 50 pages
      • 2 hours of reading

      The story revolves around the special bond between Tehya and her father as they spend quality time together. Their adventures highlight the joy of their relationship, showcasing moments of fun, learning, and connection. Through their interactions, the narrative emphasizes the importance of family and the simple pleasures of life.

      Daddy's Weekend