An adventurous journey unfolds as Chris Hunter rides through the Australian Outback and beyond, propelled by a magical blues harp. His reality transforms into a mythological realm filled with gods and demons, represented by a diverse cast of characters including bikers and prophets. As he uncovers an ancient esoteric secret, his quest for self-discovery leads to a climactic confrontation with Alt-Right forces, blending themes of empowerment, fantasy, and social commentary.
The narrative delves into the psychological aftermath of returning from Vietnam, focusing on the haunting nightmares experienced by the protagonist. Seeking help from Veterans Affairs, he begins to document his experiences, spurred by his psychiatrist's suggestion. As he recounts his journey from arriving in Vietnam to confronting the harsh realities of war, the story captures the conflicting emotions of excitement and fear, ultimately revealing the profound impact of trauma and the struggle to articulate his experiences with PTSD.
Complex Time Relations in the Arts, Humanities and Social Sciences
192 pages
7 hours of reading
Exploring the intricate time relations in jazz, classical music, literature, and poetry, this book delves into the multiple layers of rhythm through both social science and arts perspectives. It builds on the author's pioneering research, offering a comprehensive analysis that bridges the gap between musical and literary forms, revealing how rhythm influences both artistic expression and social dynamics.
Focusing on the creative sector, this book offers essential tools and techniques for inventing, launching, and sustaining a business in the arts. It equips readers with the necessary concepts to navigate the unique challenges of arts entrepreneurship, making it a valuable resource for aspiring artists and entrepreneurs looking to thrive in this dynamic field.
The book presents a pioneering framework for understanding the unique rhythms of free verse poetry, emphasizing the importance of music and dance as foundational influences. Richard Andrews challenges traditional metrical analysis by proposing that the 'line' serves as a more appropriate unit of rhythm than the 'foot.' This comprehensive study delves into the structure and constitution of rhythmic patterns in unrhymed poetry, marking a significant departure from past approaches that focused solely on regular metre variations.
OF LEATHER AND VANILLA IS THE COMBINATION OF SIXTEEN, SHORT, GAY, EROTIC STORIES, IN BOOK FORM. THE PLOT LINES OF THE STORIES RANGE FROM HARD CORE LEATHER STYLE TALES TO MORE REGULAR GAY, EROTIC, SEX STORIES. THE FIRST TWO SHORT STORIES ARE A GOOD EXAMPLE OF THE WIDE RANGE OF STORY PLOTS THAT ARE USED IN THIS BOOK. THE FIRST STORY IS TITLED, SUBSTITUTE DAY. IT CONCERNS A JOB OFFER. JIM THE MAIN CHARACTER, AND A GRADUATING STUDENT IN BUSINESS ADMINISTRATION, AT U.C. BERKELEY, IS OFFERED A VERY WELL PAYING JOB BY HIS OLD FRIEND JAMES. THE JOB INVOLVES BEING THE ACADEMIC AND LIFE COACH FOR A VERY ILL MANNERED, FOWL MOUTH, GAY, NINETEEN YEAR OLD U.C. STUDENT. THE JOB STARTS OUT ON A VERY SHAKY GROUND. WILL JIM BE ABLE TO TURN THE YOUNG MAN INTO SOMEONE HIS RICH FATHER WILL PROUD OF, OR WILL THE YOUNG MAN'S EVIL SIDE WIN OUT? THE SECOND STORY IS TITLED, SLAVE INTERVIEW. A WRITER FROM NEW YORK RUNS INTO HIS OLD COLLEGE ROOMMATE JAMES AT THEIR FIFTEEN YEAR COLLEGE REUNION. HE FINDS OUT THAT JAMES IS NOW A SUCCESSFUL BUSINESSMAN AND VERY RICH MAN, WHO LIVES IN CHICAGO. HE IS SURPRISED TO LEARN THAT JAMES IS ALSO A HARD CORE LEATHER MASTER AND HE OWNS A WELL-TRAINED, PERSONAL SLAVE. JAMES DARES HIS FORMER ROOMMATE, THE BIG TIME WRITER, TO INTERVIEW HIS SLAVE. THE WRITER TAKES THE OFFER AND HE PREPARES FOR THE JOB WITH A LOT OF RESEARCH. BUT, HE IS IN FOR A SURPRISE, REALITY IS NOT WHAT IT SEEMS.
The book presents a comprehensive theory of contemporary rhetoric, contrasting it with classical approaches. It integrates various themes such as political literary criticism, multilingualism, and multimodality, while addressing literacy in the digital era and the blurred lines between fiction and non-fiction. Each chapter delves into specific aspects of rhetoric, supported by practical illustrations that enhance understanding. The discussions aim to connect theoretical concepts with real-world applications in the communication arts.
The story follows William Andrews, a privileged Harvard graduate who believes he controls his destiny. However, his life takes a dramatic turn as he is thrust into a mysterious and unfamiliar world that challenges his understanding of reality. This journey forces him to confront the complexities of existence and the illusions of his previous life, leading to profound personal revelations.
The book introduces an innovative model for integrating language arts and literacy education through the concept of framing, inspired by visual and performing arts as well as sociology. It emphasizes the act of framing as a creative and critical approach to English, highlighting its potential to unify various aspects of the subject. This imaginative and contemporary perspective aims to enhance teaching and learning in language arts.
James, young, handsome and gay, decides to leave his fag-hating hometown of Indiana to try his luck in the big city. In the course of his journey, James is transformed from an inexperienced boy into major porn star and high-priced hustler in Los Angeles. He then becomes a strictly controlled daddie's boy for a while in Paris, before undergoing brutal training to be a total slave in Morocco. When James finally regains his freedom, he realises that he needs to come to terms with his own submissive nature and make a decision that could determine the rest of his life.
