Maurice Renard Books

Maurice Renard, a prominent figure in early 20th-century French science fiction, introduced the concept of "Scientific Marvel Fiction." His innovative stories blend elements of horror and science, drawing inspiration from Edgar Allan Poe and H.G. Wells. While he gained recognition primarily for "The Hands of Orlac," which has been adapted into film three times, his broader body of work showcases his significant contribution to the genre and his unique narrative style.

Maurice Renard, recognized as a leading French science fiction writer of the early 20th century, introduced the genre of "Scientific Marvel Fiction." His innovative stories blend elements of Edgar Allan Poe's suspense with H.-G. Wells' imaginative narratives. While primarily known in English-speaking circles for his thriller "The Hands of Orlac," Renard's work encompasses a broader range of gripping tales that push the boundaries of the genre.

Exploring the tradition of "literary Satanism," this collection features fourteen stories that critically examine the figure of Satan through a modern lens. Edited and translated by Brian Stableford, the works delve into themes of skepticism and clinical analysis, moving beyond traditional theological interpretations. This volume highlights the evolution of thought surrounding Satan from the 1820s through the twentieth century, showcasing a unique literary perspective on a complex character.

Maurice Renard, recognized as a leading French science fiction author of the early 20th century, introduced the genre of "Scientific Marvel Fiction," blending elements reminiscent of Edgar Allan Poe and H.-G. Wells. His innovative storytelling has captivated readers, and while he gained some fame through his thriller The Hands of Orlac, his broader body of work offers a rich exploration of thrilling and imaginative narratives that have yet to be fully appreciated in the English-speaking world.

Maurice Renard, recognized as a leading French science fiction writer of the early 20th century, introduced the term "Scientific Marvel Fiction." His innovative stories blend elements of horror and science fiction, drawing inspiration from both Edgar Allan Poe and H.-G. Wells. While he gained some fame through the film adaptations of his thriller, The Hands of Orlac, Renard's broader body of work showcases his unique contributions to the genre, offering gripping narratives that challenge conventional storytelling.

Maurice Renard, a prominent figure in early 20th-century French science fiction, introduced the concept of "Scientific Marvel Fiction." His innovative stories blend elements of suspense and fantasy, drawing inspiration from both Edgar Allan Poe and H.-G. Wells. While he gained some recognition through his thriller, The Hands of Orlac, his broader body of work remains largely undiscovered by English-speaking audiences, showcasing his unique contribution to the genre.

Set in the realm of fantastic literature, this novel showcases Maurice Renard's significant contributions during the "Golden Age" of French science fiction. Renard, a notable writer and jurist, weaves a compelling narrative that explores themes of humanity and the microscopic world. His work is celebrated for its imaginative depth and innovative storytelling, solidifying its place among the best in French literature.

Maurice Renard (1875-1939) gehörte zu den Schriftstellern des „Goldenen Zeitalters“ der französischen Science-Fiction-Literatur. Er war stark beeinflusst von Jules Verne (In 80 Tagen um die Welt), Edgar Allan Poe (Die Grube und das Pendel) und H. G. Wells (Die Zeitmaschine). Dieses Buch entstand in den 20er Jahren des 20. Jh.s und erschien 1928 zum ersten Mal in deutscher Sprache.

Im Mittelpunkt der Geschichte steht die jahrhundertealte Feindschaft zwischen den korsischen Familien Ortofieri und Christiani, die durch die Liebe von Charles Christiani zu Rita Ortofieri kompliziert wird. Charles entdeckt das mysteriöse Material Luminit, das es ihm ermöglicht, in die Vergangenheit zu blicken und die Wurzeln des Konflikts zu ergründen. Maurice Renard verknüpft in diesem Werk historische Elemente mit wissenschaftlichen Aspekten und integriert Liebes- sowie Kriminalromanelemente, inspiriert von den Theorien des Astronomen Camille Flammarion zur Chronoskopie.