Richard Robinson Book order

The collection features poems from two authors separated by two centuries, showcasing diverse styles and influences. The first group, penned by William Clark during the Corps of Discovery expedition (1804-1806), reflects the historical and exploratory spirit of early America. In contrast, the second group, attributed to an anonymous writer from Portland (2017-2019), captures contemporary themes and perspectives. Together, they offer a unique juxtaposition of time, temperament, and purpose in the poetic landscape of Oregon.

Exploring the intricate relationship between memory and identity, this collection of poetry delves into a conceptualized France that transcends time and physicality. The poems evoke a personal and nostalgic vision of France, likening it to a lost love or an elusive vintage wine. Through vivid imagery and philosophical reflections, the author captures the essence of a France that exists in the mind, inviting readers to contemplate their own connections to place and experience.

Focusing on outdoor painting, this diary by Richard Robinson, a New Zealand artist, compiles lessons and experiences from his global workshops. It offers insights into his artistic journey and techniques, making it a valuable resource for aspiring painters. This latest edition reflects the ongoing evolution of his teachings, inviting readers to engage with and enjoy the art of painting in nature.

Set in a bleak 2041, the narrative explores the struggle of a select group striving to preserve their beloved culture and civilization, threatened by a faceless, overwhelming majority. As society crumbles, these individuals embark on a desperate journey northward, seeking refuge in the last bastion of hope. Their flight through dark forests and snow-covered landscapes encapsulates themes of beauty, sadness, and the resilience of the human spirit against an encroaching tide of conformity and despair.

Focusing on the nature of logic, this inquiry delves into John Cook Wilson's philosophical perspective, particularly through his posthumous collection, "Statement and Inference." The author explores and expands upon Cook Wilson's ideas, aiming to address fundamental questions about the province of logic. This study not only examines the historical context of Cook Wilson's work but also its implications for contemporary philosophical discussions on logic.

Selected for its cultural significance, this reproduction preserves the original artifact's integrity, including copyright references and library stamps. It serves as a vital piece of civilization's knowledge base, reflecting the historical context and importance of the work in preserving literary heritage. This edition aims to maintain authenticity while providing access to important historical texts.

Exploring the concept of tikkun olam, the book delves into ancient Jewish and Christian scriptures, highlighting how this principle of improving the world is central to both faiths. It presents an easy-to-read yet scholarly analysis of biblical parallels and relevant stories, emphasizing the significance of this value in the life and teachings of Jesus.

Withnell Moor in Lancashire appears a lonely wilderness today, to be enjoyed by walkers and wildlife. But only 120 years ago, it was a thriving community and where today piles of moss-covered stones scatter the land, there once stood farms and cottages, green pastures and meadows, all thronging with families who lived, worked and played there. Botany Bay Farm once stood where the tree on the jacket of this book now marks the spot, and here lived the author of this book, stonemason Richard Robinson (1883-1963) one of a large family, and this is his account of his life and times on the moor. He writes of his schooling, his childhood games, his first incredulous visit to Blackburn. He recalls the mills and the millworkers, the local customs and trades, and the characters and travelling salesmen who worked on the moors. Richard Robinson began work at Marriage & Pinnocks Mill, Withnell, at the age of 10, before becoming a local stonemason. A keen amateur historian, his unique first-hand account of a moorland life now gone forever, is a remarkable and important insight into a lost era.

An artist's transformative journey unfolds over three months in a picturesque setting designed for creativity. Immersed in beauty and inspiration, the artist discovers new techniques, deepens their understanding of color and form, and gains insights into their own artistic voice. This experience not only enhances their skills but also fosters a profound connection to the art community and the natural world, ultimately reshaping their perspective on creativity and expression.