Elizabeth Cowling Books

For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject. This book focuses not only on Picasso's life story but his creative process.

An elegant compilation of Cézanne's drawings and prints from the collection of the late Karsten Schubert In honor of the generous bequest by the late Karsten Schubert, founder of Ridinghouse, to the Whitworth Art Gallery in Manchester, this luxurious book, featuring a tipped-on cover drawing, focuses exclusively on Paul Cézanne’s (1839–1906) drawings and prints of diverse from portraits and bather scenes to landscapes and copies after past art. This important act of generosity means that the Whitworth now holds the best collection of Cézanne works on paper in the UK, including a version of every print produced by the artist.With essays by renowned Impressionist scholars Richard Thomson and Christopher Lloyd and full catalog entries on all the works in the show, this volume demonstrates that the essence of Cézanne as an artist lies just as much in his lesser-known works on paper as in his paintings.

Exploring the innovative perspectives of Cubism, the book delves into the lesser-known elements of the artistic contributions of Picasso, Braque, and Gris. It presents a fresh interpretation that enhances the understanding of their work and the movement itself, shedding light on the complexities and nuances that have often been overlooked.

Examination of the styles employed by Picasso in his art during the years of World War I, and also discusses the costumes by Picasso for the ballet Parade in 1917.

This thought-provoking book presents a lively introduction to the 20th century's most important artist, Pablo Picasso. Picasso was a passionate student of the European painting tradition, and his memory for images was voracious. Naturally drawn to Spanish masters Velázquez and Goya, he also engaged with such figures as Rembrandt, Delacroix, Ingres, Manet, and Cézanne. Picasso repeatedly pitted himself against these masters, taking up their signature themes, techniques, and artistic concerns in audacious paintings of his own. Sometimes his "quotations" were direct, other times highly allusive. Always, Picasso made the implicit case that it was he in the 20th century who most forcefully reinvigorated the European tradition. This book showcases his extraordinary work, where we witness the daring transformation of the art of the past into, in Picasso's own words, "something else entirely."