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Takashi Murakami

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    The Octupus Eats Its own Leg
    Murakami: Ego
    Skulls and Flowers
    Stargazing Dog
    © Murakami
    けばけば. Kebakeba
    • 2017

      The first major U.S. monograph in ten years on Murakami is the definitive survey of the paintings of one of today's most influential artists. Takashi Murakami (born 1962), one of contemporary art's most widely recognized exponents, receives a long-awaited critical consideration in this important volume. Accompanying the first retrospective exhibition devoted solely to Murakami's paintings, this book traces Murakami's career from his earliest training to his current studio practice. Where other books address the commercial aspects of Murakami's work, this is the first serious survey of his work as a painter. Through essays and illustrations many previously unpublished it explores the artist's relationship to the tradition of Japanese painting and his facility in straddling high and low, ancient and modern, Eastern and Western, commercial and high art. New texts address Murakami's output in the context of postwar Japan, situating the artist in relation to folklore, traditional Japanese painting, the Tokyo art scene in the 1980s and 1990s, and the threat of nuclear annihilation. This richly illustrated volume also includes a detailed biography and exhibition history

      The Octupus Eats Its own Leg
    • 2012

      Murakami: Ego

      • 268 pages
      • 10 hours of reading

      The volume offers an in-depth exploration of Takashi Murakami's artistic vision, showcasing his ability to blend high and low art while reflecting contemporary culture's ecstasy and anxiety. Designed as a self-portrait, it highlights his role as a commentator on consumerism and global networks. Featured works include celebrated series like Kaikai Kiki Lots of Faces and Pom and Me, alongside innovative exhibition designs such as sculptural pedestals and a 300-foot-long painting. The book also includes an interview with curator Massimiliano Gioni and Murakami's own writings.

      Murakami: Ego
    • 2011

      Stargazing Dog

      • 124 pages
      • 5 hours of reading
      4.1(1661)Add rating

      Oto-san is down and out. Life has conspired against him and nothing is coming together the way he wished - so he sets out with his car to get away from it all. All the people around Oto-san have abandoned him in indifference but as readers discover along with him, the one he can count on utterly and completely is his adopted dog. His dog follows him blindly and faithfully to the end - lightening up his new adventure into the unknown.

      Stargazing Dog
    • 2007

      © Murakami

      • 330 pages
      • 12 hours of reading
      4.4(151)Add rating

      Takashi Murakami is one of contemporary art’s most innovative and important figures. Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects such as toys, books, and most famously, a line of handbags for Louis Vuitton. A committed supporter and spokesperson for Japanese artists and a powerful commentator on postwar culture and society, Murakami has organized influential exhibitions of Japanese art as well as a biannual art fair in Tokyo. Murakami has positioned himself as a new type of artist for the twenty-first century: a hybrid of creator, entrepreneur, and cultural ambassador.In conjunction with the first major retrospective of his work, Murakami traces Murakami’s global impact socially, culturally, and art historically. Essays focus on Murakami’s early works, which were based on a social critique of Japan’s rampant consumerism; the development of his characters; his work with anime, fantasy; otaku culture; and his engagement with global pop culture. Representing output from original works of art to mass-produced multiples, the catalogue also considers the implications of Murakami’s working methods within the tradition of the Western avant-garde.

      © Murakami
    • 2004