Pauline Baynes Book order (chronological)

This is the 50th anniversary edition of Tolkien's best-loved short fairy story, originally told to his children in the 1920s and expanded for publication in 1949. Bluff Farmer Giles lives in a land-of-fable England, full of giants and dragons. A reluctant hero like the Brave Little Tailor or Bilbo in The Hobbit , Giles wins a great reputation by firing his blunderbuss at a wandering giant--who retreats not in fear but to avoid this tiresome stinging "insect". One thing leads to another, and despite all his excuses the now famous Giles is called to save his country from the marauding dragon Chrysophylax. He has a legendary anti-dragon sword and a lot of luck, but dragons can be as devious as politicians... Tolkien crammed much sly wit into his little story, plus jokey philological explanations that Giles's amazing adventures are commemorated in Thames Valley placenames like Worminghall and Thame. It's illustrated with nearly 50 line drawings by Paula Baynes: Tolkien loved these, but some look sadly faded here, like fourth-generation photocopies. As a bonus, the anniversary edition includes an introduction telling the story's history, a transcription of the original, unfinished draft, and 23 pages of notes on allusions and names (Chrysophylax means "keeper of gold", which is indeed what dragons do). A pleasant gift book. -- David Langford

'How ever did you learn to talk?' asked Shasta in amazement. 'Where I come from, nearly all the animals talk.' replied the Horse. 'The happy land of Narnia.' His whinny sounded very like a sigh. Bree, the horse, has been kidnapped from Narnia and longs to return there. Shasta, on the verge of being sold into slavery, decides to run away with him in search of the home he's always dreamed of. But the journey is full of surprises, and fraught with dangers, and when the companions uncover a treasonous plot, it also becomes a race against time.

The seven chronicles of Narnia are collected in a beautifully presented slipcase, featuring original artwork by Pauline Baynes.

Bilbo’s Last Song is considered by many to be Tolkien’s epilogue to his classic work The Lord of the Rings. As Bilbo Baggins takes his final voyage to the Undying Lands, he must say goodbye to Middle-earth. Poignant and lyrical, the song is both a longing to set forth on his ultimate journey and a tender farewell to friends left behind.Pauline Baynes’s jewel-like illustrations lushly depict both this final voyage and scenes from The Hobbit, as Bilbo remembers his first journey while he prepares for his last.

TERRA 1941 - NARNIA 2303 La pacifica Narnia è stata conquistata dagli umani. Folletti, giganti, fauni e ninfe si sono nascosti, insieme agli animali parlanti, nel fitto delle foreste, fra gli alberi amici. Nel mondo degli umani nessuno parla di loro, nessuno vuole ricordare. Ma il giovanissimo Caspian, l'erede al trono, decide di guidare la riscossa del popolo nascosto. Al suo fianco, quattro ragazzi che un tempo erano stati i saggi sovrani dell'antica Narnia. La battaglia è aperta...

Peter, Susan, Edmund et Lucy sont sur le point de se séparer pour entamer une nouvelle année scolaire. Ils attendent le train qui doit les conduire en pension quand, tout à coup, ils sont transportés dans le pays de Narnia où ils ont régné autrefois. Mais si, pour eux, une année seulement s'est écoulée, dans leur ancien royaume des siècles ont passé. Le palais royal est en ruines. Parviendront-ils à ramener la paix dans le monde magique de Narnia?

Polly trouve parfois que la vie à Londres n'est guère passionnante... jusqu'au jour où elle rencontre son nouveau voisin, Digory. Il vit avec sa mère, gravement malade, et un vieil oncle au comportement étrange. Celui-ci force les deux enfants à essayer des bagues magiques qui les transportent dans un monde inconnu. Commence alors la plus extraordinaire des aventures...

A false Aslan roaming the land commands the Narnians to work for cruel Calormenes.

All seven books in the Chronicles of Narnia are now available together in a hardcover volume which includes an essay by C.S. Lewis, On Three Ways of Writing for Children, where he explains precisely how the magic of Narnia first came to life.