Explore the latest books of this year!
Bookbot

Michaël Borremans

    Michae͏̈l Borremans, Fernando Bryce, Dan Perjovschi
    Michael Borremans: The Acrobat
    The Duck
    Eating the Beard
    Michaël Borremans - whistling a happy tune
    Paintings
    • 2022

      A breathtaking selection of Michaël Borremans’s lustrous paintings, this catalogue showcases his technical mastery and creative use of mise-en-scène. Recalling classical painting, both through technical mastery and subject matter, Borremans’s depiction of the surprising and the bizarre, invites a second look. Uncanny scenes of figures onlooking blurred acrobatic displays, hooded subjects in Rembrandt lighting, or solemn portraits of painted faces demonstrate Borremans’s unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his small scale paintings of mysterious figures in peculiar arenas.

      Michael Borremans: The Acrobat
    • 2020

      The Duck

      • 104 pages
      • 4 hours of reading
      The Duck
    • 2009
    • 2008

      This monograph offers the first survey of Belgian painter Michaël Borremans' drawings. Like the paintings, the drawings favor absurd fragmentary figures that inhabit an indeterminate time. Because of Borremans' drab palate, these figures dwell in a gloomy universe that only heightens the uncanny subject matter. Critic David Coggins has noted, "Michaël Borremans' portraits of somber young men, elusively posed before muted backgrounds, create a tone of uncertainty that becomes a virtue, not an evasion. Working both large and small, he grounds his paintings (all oil on canvas) in traditional Realism, achieving finely rendered details, soft light and surfaces that are delicate and painterly." The drawings envelop viewers in a similarly surreal, ambiguous and unreliable universe, depicted with a subdued combination of pencil, watercolor, ballpoint, white ink and coffee washes. They make use of newspapers, books, magazines and turn-of-the-century photographic archives as source material. This volume includes an essay by critic and art historian Michael Amy. Borremans is represented in New York by David Zwirner.

      Michaël Borremans - whistling a happy tune