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David Charlton

    Smoke Without Fire
    The Bomber
    Popular Opera in Eighteenth-Century France
    Opera in the Age of Rousseau
    Opera in the Age of Rousseau
    Absent Victim
    • When Stephanie Kuler asked a PI to investigate a murder, he told her to go to the police instead. But when she told the rest of the story, he took the case. There was no body, no motive and no name for the 'victim', but she knew she was the murderer. Premonition, false memories, deja vu: the mind playing tricks or reality distorted through time?

      Absent Victim
    • Opera in the Age of Rousseau

      • 436 pages
      • 16 hours of reading

      Exploring the evolution of opera during the Enlightenment, this account highlights the transformation of the art form from Rameau to Gluck. It delves into the societal impacts and cultural significance of opera, reflecting the philosophical ideas of Rousseau's time. The narrative examines how these composers shaped the operatic landscape, influencing both performance and public perception, while also addressing broader themes of art and society in that era.

      Opera in the Age of Rousseau
    • Opera in the Age of Rousseau

      Music, Confrontation, Realism

      • 436 pages
      • 16 hours of reading

      Exploring the evolution of opera during the age of Rousseau, this account delves into the works of composers such as Rameau and Gluck. It examines the interplay between theatrical performance and societal influences, highlighting how opera reflected and shaped cultural attitudes of the time. The narrative offers insights into the artistic developments and the changing perceptions of opera within society, making it a comprehensive study of this vibrant period in musical history.

      Opera in the Age of Rousseau
    • Popular Opera in Eighteenth-Century France

      • 394 pages
      • 14 hours of reading

      The book explores the historical roots of popular opera and its evolution into contemporary musical theatre, tracing its origins in Paris and London. It highlights the tradition of social critique embedded in early operas with spoken dialogue, predating works like The Beggar's Opera. A key focus is on Marie-Justine Favart, a pivotal figure in the vaudeville tradition, and her influence on characters like Roxelane, connecting to notable performers such as Madeleine Renaud, who bridged the gap to modern playwrights like Samuel Beckett and Marguerite Duras.

      Popular Opera in Eighteenth-Century France
    • What happens to the suicide bomber who doesn't die? He becomes a hero amongst his peers, a legend. But there will be no escape from death in the next mission: the biggest terrorist bombing the world has seen. The team assembled to foil his plan has an internal mole, plotting against them and leaking their every move. And the clock is ticking.

      The Bomber
    • He tried to make a difference but instead he lost his career. A teacher is persecuted for trying to do the right thing and is ultimately dismissed for gross misconduct. Revealed by the teacher himself, this is the true story of those events and the fight to clear his name. If you are interested in British justice...you should read his story.

      Smoke Without Fire