Simone Kraft Book order

During the Choson period (1392-1910), Korean landscape painting evolved significantly, moving from traditional Chinese influences towards a distinctive Korean style. This transformation became pronounced in the mid-Choson era, reflecting a broader trend of Koreanization across various life sectors. Notably, painter Chong Son (1676-1759) played a crucial role in developing the "chin gyung" or true-view landscape painting, which celebrated the authentic beauty of Korea's countryside. By the eighteenth century, this genre reached its peak, showcasing unique techniques while still drawing inspiration from Chinese art.

The essay examines the Three Kingdoms Period in Korean history, highlighting the emergence of the three empires: Koguryo, Paekche, and Silla, along with the lesser-known Kaya states. It discusses the historical context, emphasizing the significance of this era from around 313 to 668 AD, following the decline of Chinese hegemony. The author notes that while the kingdoms coexisted independently, the period culminated in Silla's rise to dominance, marking a pivotal transformation in Korea's political landscape.