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Oliver Baum

    Ein verdammt normales Leben. Die zwei verlorenen Jahre
    Freuds Triebtheorie und Dornröschens Entfaltung der Weiblichkeit
    "Big Brother is Watching You": Strategien der Kontrolle und Überwachung in ausgewählten englischen Dystopien
    HSOH
    The Portrayal of Women in the Victorian Age. Gender in Thomas Hardy's "The Mayor of Casterbridge"
    Iagos Iniquitous Cajolery of the Suspicious Othello
    • 2014

      Focusing on gender, this seminar paper analyzes Thomas Hardy's portrayal of women in "The Mayor of Casterbridge." It examines Hardy's alignment with Victorian fiction trends and the societal ideals of women during that era. The author argues that Hardy presents an ambivalent perspective, depicting women as both inferior and superior, which challenges the conventional Victorian ideal. Key aspects include Hardy's narrative viewpoint and the dynamics between the protagonist Henchard and female characters like Susan, Lucetta, and Elizabeth-Jane.

      The Portrayal of Women in the Victorian Age. Gender in Thomas Hardy's "The Mayor of Casterbridge"
    • 2009

      Iagos Iniquitous Cajolery of the Suspicious Othello

      An Investigation of Jealousy and Revenge in William Shakespeares 'Othello' within the Context of Elizabethan Tragedy and Theatre

      The paper explores the themes of jealousy and revenge in Shakespeare's Othello, emphasizing Iago's role in inciting Othello's destructive jealousy. It discusses the psychological and literary dimensions of jealousy, distinguishing it from envy, and connects these themes to Elizabethan attitudes towards gender and reputation. The analysis includes a look at Othello as both a domestic and revenge tragedy, Iago’s motivations, and the impact of the play on audiences. The paper aims to deepen the understanding of jealousy as a critical force within the narrative.

      Iagos Iniquitous Cajolery of the Suspicious Othello
    • 2008