Arthur Koestler Books

Arrow in the Blue is the first volume of Arthur Koestler's autobiography. It covers the first 26 years of his life and ends with his joining the Communist Party in 1931, an event he felt to be second only in importance to his birth in shaping his destiny.In the years before 1931, Arthur Koestler lived a tumultuous and varied existence. He was a member of the duelling fraternity at the University if Vienna; a collective farm worker in Galilee; a tramp and street vendor in Haifa; the editor of a weekly paper in Cairo; the foreign correspondent of the biggest continental newspaper chain in Paris and the Middle East; a science editor in Berlin; and a member of the North Pole expedition of the Graf Zeppelin.Written with enormous zest, joie de vivre and frankness, Arrow in the Blue is a fascinating self-portrait of a remarkable young man at the heart of the events that shaped the twentieth century.The second volume of Arthur Koestler's autobiography is The Invisible Writing.

This book explores the history of the ancient Khazar Empire, a significant yet often overlooked power in Eastern Europe that converted to Judaism during the Dark Ages. The Khazars, who thrived from the 7th to 11th century, were ultimately destroyed by Genghis Khan's forces, but evidence suggests they migrated to Poland, contributing to the roots of Western Jewry. While the Khazars may seem distant to contemporary readers, their legacy has surprising relevance today. At the time of Charlemagne's reign in the West, the Khazars controlled a vast territory from the Black Sea to the Caspian Sea, playing a crucial role in halting the Muslim advance against Byzantium. This positioned them precariously between the Eastern Roman Empire and the followers of Mohammed. Koestler characterizes the Khazars as the Third World of their era, as they resisted the pressures to convert to Christianity from the West and Islam from the East by choosing Judaism instead. He speculates on the fate of the Khazars and their influence on the racial and social heritage of modern Jewry, presenting detailed research that challenges conventional understandings of anti-Semitism.

Arthur Koestler's extraordinary history of humanity's changing vision of the universe In this masterly synthesis, Arthur Koestler cuts through the sterile distinction between 'sciences' and 'humanities' to bring to life the whole history of cosmology from the Babylonians to Newton. He shows how the tragic split between science and religion arose and how, in particular, the modern world-view replaced the medieval world-view in the scientific revolution of the seventeenth century. He also provides vivid and judicious pen-portraits of a string of great scientists and makes clear the role that political bias and unconscious prejudice played in their creativity.

In this penetrating selection of essays and reviews, Arthur Koestler roves from Indian politics to the paranormal, from materialism to mysticism. Whether he is addressing a learned society on education or psychiatry, discussing ESP, reporting the Fischer-Spassky chess championship or taking a step into the 1980s, Koestler is always controversial, forthright and stimulating — above all, compulsively readable. [Taken from the back cover]

The author examines the idea that we are at our most creative when rational thought is suspended-for example, in dreams and trancelike states.

The book explores the historical foundations of the State of Israel through a unique lens, emphasizing the influence of irrational forces and emotional biases alongside traditional politico-economic factors. It is divided into three parts: "Background," which surveys key developments; "Close-up," focusing on specific events; and "Perspective," offering broader insights. The author aims to provide a balanced view by highlighting psychological elements in history, presenting a "psycho-somatic" understanding of this significant modern episode.

The book is the first of a trilogy, including Darkness at Noon , and Arrival and Departure , which address idealism going wrong. This is a common theme in Koestler's work and life. Koestler uses his portrayal of the original slave revolt to examine the experience of the 20thcentury political left in Europe following the rise of a Communist government in the Soviet Union. He published it on the brink of World War II. Originally written in German, the novel was translated into English for other audiences and was published in 1939. In 1998 the British critic Geoffrey Wheatcroft wrote of the novel: "In The Gladiators , Koestler used Spartacus's revolt around 65BC to explore the search for the just city, the inevitable compromises of revolution, the conflict of ends and means, the question of whether and when it is justifiable to sacrifice lives for an abstract ideal.

In The Sleepwalkers and The Act of Creation Arthur Koestler provided pioneering studies of scientific discovery and artistic inspiration, the twin pinnacles of human achievement. The Ghost in the Machine looks at the dark side of the coin: our terrible urge to self-destruction... Could the human species be a gigantic evolutionary mistake? To answer that startling question Koestler examines how experts on evolution and psychology all too often write about people with an 'antiquated slot-machine model based on the naively mechanistic world-view of the nineteenth century. His brilliant polemic helped to instigate a major revolution in the life sciences, yet its 'glimpses of an alternative world-view' form only the background to an even more challenging analysis of the human predicament. Perhaps, he suggests, we are a species in which ancient and recent brain structures - or reason and emotion - are not fully co-ordinated. Such in-built deficiencies may explain the paranoia, violence and insanity that are central strands of human history. And however disturbing we find such issues, Koestler contends, it is only when we face our limitations head-on that we can hope to find a remedy.

Fictional portrayal of the nightmare politics of our time. Its hero is an aging revolutionary, imprisoned and psychologically tortured by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he re-lives a career that embodies the terrible ironies and human betrayals of a totalitarian movement masking itself as an instrument of deliverance