Kenneth Clark Book order (chronological)

Na książkę złożył się zapis cyklu programów telewizyjnych emitowanych wiosną 1969 roku. [...] Wypowiedziałem w nim na głos rzeczy, których nie powiedziałbym w innych okolicznościach. [...] Czym jest cywilizacja? Nie wiem. Nie jestem w stanie jej określić za pomocą pojęć ogólnych. Ale chyba umiem rozpoznać jej przejawy. Mam je przed oczami. Jak pisał Ruskin: Wielkie narody spisują autobiografie w trzech rękopisach: w księdze czynów, w księdze słów i w księdze sztuki. Nie zrozumiemy żadnej z nich, dopóki nie przeczytamy dwóch pozostałych, ale spośród nich tylko ta ostatnia jest godna zaufania. Kenneth Clark Dofinansowano ze środków Ministra Kultury i Dziedzictwa Narodowego pochodzących z Funduszu Promocji Kultury państwowego funduszu celowego.

Tiles are a beautiful form of ceramic that lend themselves to an extraordinary diversity of uses and treatments. In this outstanding overview, Kenneth Clark, a distinguished tile designer and maker, introduces readers to their creation, ornamentation, and use. Tile making using earthenware, stoneware, porcelain, and paper clay is fully described as are the decorative techniques, like painting, screen printing, and sgraffito. The work of leading tile designers is also examined, along with their approaches and applications. To complete the book, Clark offers practical information on the uses of tile, including floors, walls, roofs, fireplaces, murals, and swimming pools; details on how to repair tiles; and advice on how to protect and care for them. Written by an expert, and with 280 color photos, The Tile is sure to captivate anyone interested in learning or appreciating the skills of this age-old craft.

A dictionary of themes common to western art -- especially those arising from classical and Christian sources -- primarily from the Renaissance onward. Included are persons (and personifications), objects (especially attributes), and common events (e.g., The Raising of Lazarus). Special attention is paid to the interpretation of symbols in art. There is a list of sources at the beginning of the dictionary and an index at the end, but no illustrations. [Review, Oberlin Art Library Staff, BQP 6/16/2005]

In 1972, when the packing and crating for a major exhibition made it impossible for him to work in his sculpture studios, Henry Moore retreated to a small studio that looks out on a sheep meadow. Over the course of several months, as sheep were suckled and sheared, Moore produced this delightful flock of sketches and drawings. Sheep are as much a commonplace of the English countryside as hedgerows, but Moore looked at them afresh. Here are ewes nurturing their lambs, lambs playing in the meadow, and the swollen stateliness of sheep with full coats of wool. Many of the sketches evoke themes that are important in all Moore's work. The depiction of a ewe and lamb, for instance, suggests the mother-and-child theme often evoked in Moore's sculpture by a large form sheltering a smaller one. Henry Moore presented the sketchbook to his daughter, Mary. In this facsimile edition, first created under Moore's personal supervision, Mary's little lambs will charm anyone who sees these tender, vigorous drawings.

In this comprehensive guide to pottery Kenneth Clark explains with the help of practical and informative text together with step-by-step illustrations and examples of finished work the various aspects of pottery. These include techniques of wedge making, pinching, coiling, slab building, throwing, joining, moulding and turning. In addition Clark gives full details on techniques of decoration, tools and equipment, kilns and firing, glazes, pigments and stains finishing with a full glossary. He also suggests ways in which potters can extend their techniques of production to meet the needs of changing markets and conditions, whilst trying to keep a balance between the work of the artist innovator and the production potter or ceramicist.