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Clare Goodwin

    Clare Goodwin
    Clare Goodwin, constructive nostalgia
    The museum of the unwanted
    Dennis and Denise
    The Mandala Coloring Book
    • 2025

      The Mandala Coloring Book

      Beautiful Designs to Free Your Mind

      • 128 pages
      • 5 hours of reading

      Featuring over 60 intricately designed mandalas by therapist Clare Goodwin, this collection invites readers to experience the mindful benefits of coloring. Mandalas, symbolizing the cosmos and found across various cultures, serve as both a meditative tool and a source of artistic enjoyment. Each repeating pattern encourages focus and mental clarity, making this book a delightful way to engage with the beauty of mandala art. Perfect for relaxation or meditation, it offers an enriching creative experience.

      The Mandala Coloring Book
    • 2018

      Five writers respond to Clare Goodwin?s painting 'Dennis and Denise' (2018), offering narrative foils to Goodwin?s visual language. Dennis and Denise is neither described nor explained, but serves as a catalyst for literary experimentation. The texts, in turn, illustrate the painting?s wealth of implicit meaning.00Tony Grisoni is a British screenwriter and filmmaker living in London, Rebecca Geldard is a British writer and art critic based in Wales, Chris ƯFite-Wassilak is an American writer and art critic living in London, Frances Loeffler is a British writer and curator based in Canada, Aoife Rosenmeyer is an Irish writer, art critic and translator based in Zürich, J. Emil Sennewald is a German art critic, writer and philosophy teacher based in Paris. Clare Goodwin is a British artist and curator living in Zürich.

      Dennis and Denise
    • 2015

      Die Publikation erschien anlässlich des gleichnamigen, von der Künstlerin Clare Goodwin kuratierten Ausstellung im Kunstraum Kolin21 in Zug im Jahr 2014. Clare Goodwins Museum des Unerwünschten handelt von Liegengebliebenem – meist wertlosen Dingen, die, nicht mehr gebraucht, doch Konserven vergangenen Lebens sind und vor denen stehend wir, wie Walter Benjamin es formuliert, «mit der verrosteten Seele konfrontiert sind». Im Zentrum ihres Projekts steht die Praxis von Kunstschaffenden, die solche Objekte für ihre kreative Tätigkeit nutzen und sie in ihre ästhetische Arbeit einfliessen lassen.

      The museum of the unwanted