Ross Macdonald, born Kenneth Millar, was an American-Canadian master of crime fiction, best known for his hardboiled novels featuring detective Lew Archer. His work builds upon the terse style of his predecessors, infusing it with profound psychological depth and intricate explorations of character motivation. Macdonald's plots often unravel complex family secrets, delving into the hidden dynamics of his clients and the criminals they encounter. He skillfully blended the traditional whodunit with psychological thriller elements, offering readers meticulously crafted mysteries with surprising denouements.
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With its roots in the American private-detective fiction of the 1920s but traceable back as far as Sherlock Holmes, the private-eye story remains as popular as ever. Here are thirty of the finest short novels and stories from the hardboiled world of the private eye. The characters in this collection range from the tough, cynical, hard-drinking Philip Marlowe type to hard-hitting female sleuths and the one-armed intellectual Dan Fortune. This collection features old favorites and new contributions from masters of the genre, past and present, including Ross Macdonald, Raymond Chandler, Sue Grafton, Marcia Muller, Michael Collins, Ed McBain, William Campbell Gault, and many more.
MYSTERY Includes the following stories: Find the woman Gone girl The bearded lady The suicide Guilt-edged blonde The sinister habit Wild goose chase Midnight blue Sleeping dog
In The Chill a distraught young man hires Archer to track down his runaway bride. But no sooner has he found Dolly Kincaid than Archer finds himself entangled in two murders, one twenty years old, the other so recent that the blood is still wet. What ensues is a detective novel of nerve-racking suspense, desperately believable characters, and one of the most intricate plots ever spun by an American crime writer. "From the Trade Paperback edition."
Private Detective Lew Archer doesn't believe in coincidences... A forest fire has mysteriously broken out in the hills above southern California. Meanwhile, Lew Archer has been asked by a desperate mother to find her six-year-old son. Instead, he discovers the boy's wealthy father, murdered, and buried in a hole in the ground. The mystery will lead Archer to unearth a tragic, years-old history of abandonment, obsession and illusion, where the past won't let go of the present - and everything is connected.
When Lew Archer is hired to find Phoebe Wycherly, he uncovers plenty of suspects, from a blackmailing realtor to Phoebe's mother, an eerily unmaternal blonde who keeps too many residences, has too many secrets, and leaves too many corpses in her wake. Copyright © Libri GmbH. All rights reserved.
In The Goodbye Look, Lew Archer is hired to investigate a burglary at the mission-style mansion of Irene and Larry Chalmers. The prime suspect, their son Nick, has a talent for disappearing, and the Chalmerses are a family with money and memories to burn. As Archer zeros in on Nick, he discovers a troubled blonde, a stash of wartime letters, a mysterious hobo. Then a stiff turns up in a car on an empty beach. And Nick turns up with a Colt .45. In The Goodbye Look, Ross Macdonald delves into the world of the rich and the troubled and reveals that the past has a deadly way of catching up to the present. If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross Macdonald. Between the late 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his pre-decessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin.
No matter what cases private eye Lew Archer takes on—a burglary, a runaway, or a disappeared person—the trail always leads to tangled family secrets and murder. Widely considered the heir to Sam Spade and Philip Marlowe, Archer dug up secrets and bodies in and around Los Angeles. Here, The Archer Files collects all the Lew Archer short stories ever published, along with thirteen unpublished “case notes” and a fascinating biographical profile of Archer by Edgar Award finalist Tom Nolan. Ross Macdonald’s signature staccato prose is the real star throughout this collection, which is both a perfect introduction for the newcomer and a must-have for the Macdonald aficionado.
In Sleeping Beauty, Lew Archer finds himself the confidant of a wealthy, violent family with a load of trouble on their hands--including an oil spill, a missing girl, a lethal dose of Nembutal, a six-figure ransom, and a stranger afloat, face down, off a private beach. Here is Ross Macdonald's masterful tale of buried memories, the consequences of arrogance, and the anguished relations between parents and their children. Riveting, gritty, tautly written, Sleeping Beauty is crime fiction at its best. If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross Macdonald. Between the late 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his pre-decessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin.
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