Ji Zhang Books

Handscroll; Ink on paper; 755cm(width)*22cm(height) The painting recounts the story of Master Huiyuan of the Eastern Jin Dynasty establishing the White Lotus Society in the Donglin Temple at Mount Lu. The White Lotus Society was a social organization that originated from the doctrines of ancient Chinese religion. The teachings of the Society included paying respect to the Buddha, chanting scriptures, and pursuing the afterlife in the Buddhist Pure Land in the west. Because the white lotus serves as a symbol of the Buddhist Nirvana, and there is a lotus pond at the Donglin Temple, the society was named for the white lotus growing there. In painting the figures, Zhang adopted the classical line drawing style, which produced lively images. In painting the rocks, he first outlined the basic composition with ink then applied texture strokes, reflecting a perfect balance between dark and light and presenting the depth of the gorge, the serenity of the path, and the steepness of the rocks. In painting the trees, he used thick brushes for the trunks and thin brushes for the branches and leaves, in a style known as "falcon talons." By applying such techniques, the trees are rendered vigorous yet graceful.

A critical exploration of the emergence and spread of COVID-19 that exposes new insights as to its origins.

Focussing on China's stem cell research, this book investigates how, over the last decade, Chinese scientists, ethicists and policy-makers have developed a cosmopolitan sensibility in comprehending and responding to ethical and regulatory concerns.

This element takes the view of people management to unfold the evolution of Japanese management studied over time internationally. The underlying innovation ecosystem interconnects with the learning philosophy embedded in people. The people-centric innovation ecosystem is proposed as a generalizable framework for firms' sustainable development.

The breathless pace of China’s economic reform has brought about deep ruptures in socioeconomic structures and people’s inner landscape. Faced with increasing market-driven competition and profound social changes, more and more middle-class urbanites are turning to Western-style psychological counseling to grapple with their mental distress. This book offers an in-depth ethnographic account of how an unfolding “inner revolution” is reconfiguring selfhood, psyche, family dynamics, sociality, and the mode of governing in post-socialist times. Li Zhang shows that anxiety—broadly construed in both medical and social terms—has become a powerful indicator for the general pulse of contemporary Chinese society. It is in this particular context that Zhang traces how a new psychotherapeutic culture takes root, thrives, and transforms itself across a wide range of personal, social, and political domains.