Luca Scarlini Book order (chronological)

By the author of THE THOUSAND AUTUMNS OF JACOB DE ZOET, David Mitchell's bestselling and Booker Prize-shortlisted novel, one of Richard & Judy's 100 Books of the Decade, CLOUD ATLAS has now been adapted for film. The major motion picture, directed by the Wachowskis and Tom Tykwer, stars Tom Hanks, Halle Berry, Susan Sarandon, Jim Sturgess, Ben Whishaw, Jim Broadbent and Hugh Grant. The novel features six characters in interlocking stories, each interrupting the one before it: a reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan's California; a vanity publisher fleeing his gangland creditors; a genetically modified dinery server on death-row; and Zachry, a young Pacific islander witnessing the nightfall of science and civilisation. The narrators of CLOUD ATLAS hear each other's echoes down the corridor of history, and their destinies are changes in ways great and small. Mitchell's other novels are GHOSTWRITTEN, BLACK SWAN GREEN and NUMBER9DREAM, all published by Sceptre.

'We couldn't go on indefinitely being swept off our feet' One of the great literary curios of the twentieth century Save Me the Waltz is the first and only novel by the wife of F. Scott Fitzgerald. During the years when Fitzgerald was working on Tender is the Night, Zelda Fitzgerald was preparing her own story, which strangely parallels the narrative of her husband, throwing a fascinating light on Scott Fitzgerald's life and work. In its own right, it is a vivid and moving story- the confessional of a famous glamour girl of the affluent 1920s and an aspiring ballerina which captures the spirit of an era. VINTAGE DECO- Nine blazing, daring novels to celebrate the 1920s - 100 years on.

Lustrini per il regno dei cieli racconta da una angolazione inedita una vicenda notissima, eppure sempre avvolta da mistero, della storia d’Occidente e soprattutto d’Italia. I castrati, o evirati cantori, o soprani eunuchi, secondo le varie terminologie che li definivano, sono più spesso stati raccontati, infatti, per chiave di parodia o caricatura, oppure, il che ha lo stesso impatto, come simboli, fantasmi di un’epoca oscura. Dalle cappelle vaticane, dove incarnarono la cifra della controriforma, interpretando il misterioso "Miserere" di Gregorio Allegri, copiato a memoria da Mozart bambino, sciamarono, insieme al melodramma, per tutta Europa; alcuni di essi furono celebri, celeberrimi, come il proverbiale Farinelli; ma la maggior parte ebbero invece destino d’ombra e disgrazia. Cinque storie, note e ignote, permettono di ricostruire alcuni aspetti di questa vicenda, carica di gloria, ma soprattutto d’onta, che ebbe esito soprattutto nel Belpaese, fino al 1922, quando l’ultimo del genere, Alessandro Moreschi, morì lasciando di sé il nome di «angelo di Roma» e l’unica registrazione che un cantante del suo tipo abbia mai realizzato.

The concluding volume in Gore Vidal's American empire novels presents a vibrant tapestry of American political and cultural life from 1939 to 1954, capturing the transformation of the nation from a republic into an empire amid the tumult of World War Two and the Cold War. Central to the narrative are Caroline Sanford, a D.C. newspaper publisher turned Hollywood producer, and her nephew Peter Sanford, who publishes the independent journal The American Idea. They witness Franklin Roosevelt's skillful efforts to draw a reluctant nation into World War Two, followed by Harry Truman's commitment to a prolonged struggle against Communism. Despite their skepticism about these developments, they observe the emergence of an American global empire. The story unfolds primarily in Washington, D.C., while also highlighting the influential Hollywood film industry and New York's cultural scene. Alongside historical figures such as Eleanor Roosevelt, Harry Hopkins, and Wendell Wilkie, Vidal himself appears vividly in the narrative, enriching the exploration of this pivotal era in American history.