Pierre-Auguste Renoir Books

Sun-kissed, charming, and sensual, the work of Pierre-Auguste Renoir champions painting at its most lighthearted and luminous. This essential artist introduction selects key works from his extensive oeuvre to explore his Impressionist innovations as much as his traditions in pursuit of beauty, harmony, and the female form.

French painter Pierre-Auguste Renoir (1841-1919) enjoyed life to a degree seemingly denied most artists, and this joie de vivre is reflected in the lighthearted, sensual, and luminous elements of his work. Full-color reproductions and thorough text provide a quick yet solid introduction to this master.

Produced for the museum exhibitions in 1985, book is full of the colorful paintings of Renoir.

Pierre-Auguste Renoir (1841–1919) was one of the most audacious and original landscape artists of his age. Throughout his career, he continually experimented with composition, light, paint handling, and pictorial structure in innovative new ways that challenged traditional––and contemporary––painting. He taught himself by working side-by-side with fellow Impressionist masters Monet and Sisley, and in the 1870s began to define his distinctive landscape style of quick, silvery brushstrokes. By the end of the decade he had moved decisively in the direction of unparalleled painterly freedom.This stunning book is the first to examine Renoir’s landscape art in depth, tracing its evolution from the beginning of his career through his Impressionist period and the early 1880s, when he began to incorporate new landscape motifs and new levels of coloristic intensity in paintings after traveling to Algeria and Italy. With over 200 illustrations, a detailed chronology, and bibliography, the book includes essays by highly distinguished scholars that discuss the range and importance of these works and present many fresh discoveries. They also place Renoir’s landscapes in the overall context of the genre in 19th-century France, revealing how his experiments were radical and––in ways that have not yet been fully acknowledged––influential on the later development of modern art.

John House examines the many facets of the work and what it reveals about Renoir as a man and artist. He asks, "What did it mean to paint a picture like La Promenade in France in 1870, in the final months of Napoleon III's Second Empire?" The reader is invited to look at the canvas - and Impressionism - as a rejection of the idealist world of academic art and as a challenge to contemporary social norms.

This book is in very good condition, has dust jacket which is in good shape.

Pierre-Auguste Renoir (1841–1919) wird so sehr mit der Malerei des Impressionismus in Verbindung gebracht, dass die überraschende Vielfalt seines Frühwerks aus dem Blick gerät. Das wichtigste Modell der frühen Jahre des Künstlers war seine Geliebte Lise Tréhot, mit der er zwischen 1865 und 1872 ein Verhältnis pflegte. Nachdem sie für eine umfangreiche Gruppe wichtiger Frühwerke, darunter Die Dame mit dem Möwenhütchen und Im Sommer, beide aus dem Jahr 1868, posiert hatte, verabschiedete sich Lise vom Bohèmeleben zugunsten einer bürgerlichen Heirat. Die ab 1864 bis Ende der 1870er Jahre entstanden Bildern zeigen Renoirs künstlerisches Spektrum – die Entwicklung seiner Malsprache einschließlich der impressionistischen Phase. Die Publikation widmet sich erstmals ausführlich Renoirs frühem Œuvre und verdeutlicht die prägenden Einflüsse enger Künstlerfreundschaften mit Édouard Manet, Claude Monet, Fréderic Bazille und Alfred Sisley. Ausstellung: Kunstmuseum Basel 1.4.–12.8.2012