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Pierre-Auguste Renoir

    February 25, 1841 – December 3, 1919
    Pierre-Auguste Renoir, 1814-1919 : a dream of harmony
    Pierre-Auguste Renoir 1841-1919
    Life and Works of Renoir
    Artists By Themselves: Renoir
    Renoir
    Renoir Landscapes, 1865-1883
    • Renoir Landscapes, 1865-1883

      • 302 pages
      • 11 hours of reading

      This stunning book, published to accompany a major touring exhibition, examines Renoir's landscape art in depth, demonstrating that he was one of the most audacious and original landscape artists of his age.

      Renoir Landscapes, 1865-1883
      4.5
    • Renoir

      Hayward Gallery, London, 30 January-21 April 1985, Galeries nationales du Grand palais, Paris, 14 May-2 September 1985, Museum of Fine Arts, Boston, 9 October 1985-5 January 1986

      • 324 pages
      • 12 hours of reading

      Produced for the museum exhibitions in 1985, book is full of the colorful paintings of Renoir.

      Renoir
      4.4
    • Pierre-Auguste Renoir 1841-1919

      A Dream of Harmony

      • 95 pages
      • 4 hours of reading

      French painter Pierre-Auguste Renoir (1841-1919) enjoyed life to a degree seemingly denied most artists, and this joie de vivre is reflected in the lighthearted, sensual, and luminous elements of his work. Full-color reproductions and thorough text provide a quick yet solid introduction to this master.

      Pierre-Auguste Renoir 1841-1919
      4.0
    • French painter Pierre-Auguste Renoir (1841-1919) enjoyed life to a degree seemingly denied most artists, and this joie de vivre is reflected in the lighthearted, sensual, and luminous elements of his work. Full-color reproductions and thorough text provide a quick yet solid introduction to this master.

      Pierre-Auguste Renoir, 1814-1919 : a dream of harmony
      4.2
    • Getty Museum Studies on Art: Pierre-Auguste Renoir

      La Promenade

      • 96 pages
      • 4 hours of reading

      John House examines the many facets of the work and what it reveals about Renoir as a man and artist. He asks, "What did it mean to paint a picture like La Promenade in France in 1870, in the final months of Napoleon III's Second Empire?" The reader is invited to look at the canvas - and Impressionism - as a rejection of the idealist world of academic art and as a challenge to contemporary social norms.

      Getty Museum Studies on Art: Pierre-Auguste Renoir
      3.2