Size and scale have always been crucial in Greek and Roman visual culture, significantly influencing sculptural production. Both cultures had a clear understanding of “colossality,” which they exploited in various social, cultural, and religious contexts. However, a corresponding categorization for small-sized statues seems to be absent, raising questions about how ancient societies conceptualized smaller sculptural representations. In modern scholarship, the notion of “small sculpture” remains elusive, often approached with caution, encapsulated in the phrase Klein, aber Kunst? This category encompasses a diverse range of objects, from statuettes to miniatures made of various materials like stone, bronze, and terracotta, serving numerous functions and contexts, with differing levels of craftsmanship. It is a misconception to view small sculptures merely as inferior alternatives to larger statues. Their unique format allowed for a broader range of choices regarding materials, production methods, and modes of engagement with viewers, fostering a sense of intimacy. Their widespread presence in both private and public spheres offers insights into the visual literacy of a diverse audience. While differing from larger works, small sculptures often shared forms and iconographies with them. This volume provides a fresh analysis of archaeological evidence and literary sources, enhancing our understanding of the role of small-sized scu
