Faces of English explores the phenomenon of increasing dialects, varieties, and creoles, even as the spread of globalization supports an apparently growing uniformity among nations. The book's chapters supply descriptions of Jamaican English in Toronto, English as an L2 in a South African mining township, Chinese and English contact in Singapore, unexpected, emergent variants in Canadian English, and innovations in the English of West Virginia. Further, the book offers some perspective on internet English as well as on abiding uniformities in the lexicon and grammar of standard varieties. In the analyses of this heterogeneous growth such considerations as speakers' sociolinguistic profiles, phonological, morpho-syntactic, and lexical variables, frequencies, and typological patterns provide ample insight in the current status of English both in oral and electronic communities. The opening chapter presents a theoretical framework that argues for linguistic typology as conceptually resourceful in accommodating techniques of analysis and in distinguishing the wide arrays of English found throughout the globe. One clear function for Faces of English is that of a catalyst: to spur studies of diversities in English (and in other languages), to suggest approaches to adapt, to invite counterargument and developments in analysis.
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This American-born, naturalized French filmmaker and dramatist is notable as an educator, having trained a generation of young actors in the revival of French baroque theatre technique and declamation. Influenced by figures like Robert Bresson and Ozu, his artistic output spans art-house films and, since 2008, novels. His literary work continues the precise formal concerns and sensitive storytelling found in his cinematic endeavors. Through his novels, he explores themes and characters with the same keen insight that marked his directing career.





- 2014
- 2002
The Letters to the Thessalonians
- 400 pages
- 14 hours of reading
- 2001
Is it possible to enter the minds of medieval people? Anglo-Saxon Audiences explores this question through the use of modern approaches in textual analysis, including techniques of functional grammar, speech act analysis, and semiotics. This book reveals how kings, councillors, and homilists tried to engage and to direct the minds of Anglo-Saxon communicants, and how poets invited their audiences to consider the minds of others as well as their own. This book focuses on legal codes promulgated from the ninth to the eleventh centuries, the homilies of Ælfric and Wulfstan, Beowulf, The Battle of Maldon, Deor , and two elegies. Its unifying theme is that Anglo-Saxon audiences welcomed texts focused on future time, a perspective that challenged them to reflect on diverse patterns of thought.