What will our world be like without emotions, and will anyone miss them? This question arises from concerns about life in an era of constant digital connectivity, where emotions may be losing their significance. Visual artist and author Eva Petrič explores this theme in her work, a hybrid of a photography book and an interactive art object. One of the most endangered emotions today is longing, essential for the creation of great literature, especially poetry. This emotion serves as the central theme of Petrič’s multilayered narrative. The book, with its square format, hard cover, and 355 pages, features 100 visual aphorisms and 163 text images, blending literary storytelling with a contemporary email diary and a visual dictionary of emotions on the brink of extinction. The text itself intertwines images and sentences, with colorful paper enhancing the visual experience. By illustrating figures in both material and immaterial forms, the book invites viewers to engage in personal storytelling. Petrič describes her staged photographs as puppets unaware of their shadows—the true emotions that influence them. The interplay between images and viewers creates a fusion of narratives, revealing a new dimension where shadows and bodies transform, enhancing the emotional experience.
Eva Petric Book order





- 2023
- 2018
Webbing
- 288 pages
- 11 hours of reading
Eva Petric's Webbing is a hybrid of her visual art and creative writing with which she presents the web of her 24 art installations in the medium of lace assembage. Made in the period of 2012-2017, they were installed worldwide. Connected into one web by the artist's perception of lace representing hematomas they seem to exist as a collective web which surpasses time ans space. Hematomas occur not only when the wall of blood vessels is damaged and blood leaks into surrounding tisues where it does not belong. We, as a society or as indiviudals, can ourselves be hematoma when emotional barriers break and emotions explode ... Petric's hematomas, are further tied into one common web by their ephemerality: when the artist deinstalls them, they cease to exist and can never aggain appear in the same form - except in this monography. The phenomenon of webbing is the common thread to all of the Petric's lace installations: webbing defines our life and existence at all levels, from macrocosmic in space to microcellular within our bodies. Eva Petric presented these levels in her 24 projects made from inherited, discarded, donated or at flea markets around the world found and bought hand made lace. Eva Petric: These recycled laces represent and illustrate the connectedness among us. I perceive them as our other skin. Unlike usual art catalogs, this book presents ideas behind the installations and not just the images and scholarly texts, rather, it reaches into the backstage where the ideas responsible for giving birth to the installations are presented in a unique way, through visual poetry accompanying a new series of images. These appear throughout the entire book, serving as markers for each new section of the book and presenting the new idea behind the lace installation.