Explore the latest books of this year!
Bookbot

Jenny Hughes

    Jenny Hughes
    Das Pferd aus dem Nichts
    Seepferde
    Theatre in Towns
    Performance in a Time of Terror
    The Lilac Ladies
    Performance in Place of War
    • 2024

      Theatre in Towns

      • 132 pages
      • 5 hours of reading

      Focusing on the cultural significance of theatre in English towns, this book examines the impact of volunteer-led, professional, and community theatres. It highlights the diverse roles these theatres play in their localities and their ability to engage audiences beyond their immediate surroundings, showcasing the vibrant connection between the arts and community life.

      Theatre in Towns
    • 2014

      The story explores the pivotal role of Nelly, the character who consistently resolves conflicts and sets things right for those around her. As her presence becomes uncertain, the narrative delves into the chaos and challenges that ensue, raising questions about dependence, resilience, and the impact of losing a stabilizing force in a community. The unfolding events highlight the struggles of the other characters as they navigate life without Nelly's guiding influence.

      The Lilac Ladies
    • 2011

      Performance in a Time of Terror

      Critical Mimesis and the Age of Uncertainty

      • 224 pages
      • 8 hours of reading

      Focusing on the intersection of performance and conflict, this book explores how acts of performance have influenced the narrative and experience of wars on terror. It examines performance as a dual force—both a means of violence and a method of resistance—highlighting its role in shaping societal responses and perceptions during times of crisis. Through this lens, the work provides a nuanced understanding of the complexities surrounding performance in the context of contemporary and historical terrorism.

      Performance in a Time of Terror
    • 2009

      Performance in Place of War

      • 392 pages
      • 14 hours of reading

      Focusing on the intersection of theater and conflict, this book explores extraordinary performances that emerge from actual war zones. It highlights initiatives in refugee camps, war-torn villages, and occupied cities, showcasing how theater persists amid violence and turmoil. The narrative captures the resilience of artists who create and perform during bombings, ceasefires, and post-conflict periods, illustrating the profound impact of these dramatic expressions on communities affected by war.

      Performance in Place of War