I fenicotteri di Bombay
- 395 pages
- 14 hours of reading
Siddharth Dhanvant Shanghvi Book order (chronological)
This Indian author, writing in English, delves into intricate human relationships and cultural identities. His work is characterized by lyrical prose and profound insights into the psychology of his characters. Through evocative imagery and keen observation, he captures the nuances of Indian society alongside universal themes of love, loss, and the search for meaning. His narratives resonate with readers globally due to their emotional depth and literary craft.
The Lost Flamingoes of Bombay
- 364 pages
- 13 hours of reading
Set against the vibrant backdrop of Bombay, the story follows photographer Karan Seth as he navigates the city's allure and cruelty. He forms connections with an eccentric pianist, a reclusive Bollywood queen, and a married woman who draws him into a complex affair. A tragic event disrupts their lives, plunging them into a world of sex, crime, and betrayal. This narrative explores the complexities of love and the transformative strength of friendship amidst the challenges of modern India, offering a poignant reflection on personal and societal upheaval.
The Last Song of Dusk
- 320 pages
- 12 hours of reading
Set in colonial India, this novel follows the fortunes of Anuradha, whose fabled beauty is such that the peacocks of Udaipur gather to bid her farewell as she journeys to meet her groom, Vardhmaan, in Bombay. Written in Technicolour, Bollywood prose, this novel pirouettes between laughter and heartbreak.
„Zauberhaft poetisch. Ein lesenswerter Schmöker!“ (Die Zeit) Indien, gegen Ende der Kolonialzeit: Wenn Anuradha singt, lauscht sogar der Mond. Als sie ihr Dorf verlässt, um in Bombay den Arzt Vardhmaan zu heiraten, finden sich zwei Seelen. Sie bekommen einen Sohn, dessen Gesang alle Menschen in der Umgebung verzaubert – doch dann geschieht ein Unglück. Eine fantasievolle, zärtliche und zugleich magische Geschichte von Liebe, Schmerz und der Macht der Musik.