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Orhan Pamuk

    June 7, 1952

    Orhan Pamuk is celebrated as a storyteller of Istanbul, a city that shaped his early writing and inspired his later autobiographical essays. His work frequently delves into complex themes of identity, the intersection of Western and Eastern cultures, and cultural clashes, all woven through compelling narratives. Pamuk's style is noted for its experimental nature, profound character psychology, and masterful depiction of Turkey's past and present. His literary significance lies in his ability to connect personal experience with universal human truths, offering readers a unique perspective on the intricacies of modern life.

    Orhan Pamuk
    Memories of Distant Mountains
    The Black Book
    The museum of innocence
    Orhan Pamuk: Orange
    Other Colours
    A Strangeness in My Mind
    • A Strangeness In My Mind is a novel Orhan Pamuk has worked on for six years. It is the story of boza seller Mevlut, the woman to whom he wrote three years' worth of love letters, and their life in Istanbul. In the four decades between 1969 and 2012, Mevlut works a number of different jobs on the streets of Istanbul, from selling yoghurt and cooked rice, to guarding a car park. He observes many different kinds of people thronging the streets, he watches most of the city get demolished and re-built, and he sees migrants from Anatolia making a fortune; at the same time, he witnesses all of the transformative moments, political clashes, and military coups that shape the country. He always wonders what it is that separates him from everyone else - the source of that strangeness in his mind. But he never stops selling boza during winter evenings and trying to understand who his beloved really is. What matters more in love: what we wish for, or what our fate has in store? Do our choices dictate whether we will be happy or not, or are these things determined by forces beyond our control? A Strangeness In My Mind tries to answer these questions while portraying the tensions between urban life and family life, and the fury and helplessness of women inside their homes.

      A Strangeness in My Mind
      4.2
    • From Orhan Pamuk, winner of the 2006 Nobel Prize in Literature, comes the best of twenty years work. A collection of immediate relevance and timeless value, Other Colours ranges from lyrical autobiography to criticism of literature and culture, from humour to political analysis, from delicate evocations of his friendship with his daughter Ruya to provocative discussions of Eastern and Western art. Reflections on Pamuk s first passport, his first trip to Europe, his father s death, his recent court case, and the Istanbul earthquake share space with pieces on writers as various as Laurence Sterne, Dostoyevsky, Kundera, Rushdie, and Patricia Highsmith. There are additional sections on Istanbul, New York where Pamuk lived for two years and on the writing of each of his novels. Interspersed among these are photographs, paintings, some of Pamuk s own black and white drawings, as well as Looking Out the Window , a short story originally published in Granta. My Father s Suitcase, Pamuk s 2006 Nobel Lecture, a brilliant illumination of what it means to be a writer, completes the selection from the figure who is now without doubt one of international literature s most eminent and popular figures.

      Other Colours
      4.2
    • Orhan Pamuk: Orange

      • 184 pages
      • 7 hours of reading

      The streetscapes of Istanbul as photographed by Nobel prize-winning novelist Orhan Pamuk in an exquisitely printed clothbound edition The dominant color in Orhan Pamuk's new book of photographs is orange. When the Nobel-Prize-winning novelist is finished with the day's writing, he takes his camera and wanders through Istanbul's various neighborhoods, visiting the backstreets of his town, areas without tourists, spaces that seem neglected and forgotten, spaces with a particular light. This is the orange light of Istanbul's windows and streetlamps that Pamuk knows so well from his childhood--from the Istanbul of 50 years ago, as he mentions in his introduction. But Pamuk also observes that the homely, cosy orange light is slowly being replaced by a new, bright and icy white light from new lightbulbs. His photographs from the backstreets of Istanbul record and preserve the cosy effect of this old, disappearing orange light, as well as the recognition of this new white vision. Whether reflected in well-trodden snow, concentrated as a glaring ball atop a lamppost or subtly present as a diffuse haze, orange literally and aesthetically gives shape to Pamuk's pictures, which reveal to us the unseen corners of his home city.

      Orhan Pamuk: Orange
      3.8
    • Set in Istanbul between 1975 and today, this is the story of Kemal, and of his obsessive love for a poor and distant relation, the beautiful Fusun. The novel depicts a panoramic view of life in Istanbul. Pamuk beautifully captures the identity crisis experienced by Istanbul's upper classes caught between traditional and westernised ways of being.

      The museum of innocence
      4.0
    • The Black Book

      • 480 pages
      • 17 hours of reading

      The Black Book is Orhan Pamuk's hugely acclaimed novel, published in a beautiful new paperback edition.

      The Black Book
      3.9
    • Memories of Distant Mountains

      Illustrated Notebooks, 2009-2022

      • 384 pages
      • 14 hours of reading

      Orhan Pamuk's reflections span fourteen years, blending his daily thoughts with personal illustrations. This collection reveals his journeys, family influences, and the intricacies of his bond with Turkey, offering insights into the inspirations behind his novels. Alongside his writings, vibrant paintings showcase the landscapes that fuel his creativity. This volume serves as a captivating exploration of Pamuk's inner world, inviting readers to engage with the art, culture, and political nuances that have influenced his literary voice.

      Memories of Distant Mountains
      3.8
    • Istanbul

      Memories and the City

      • 384 pages
      • 14 hours of reading

      A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy–or–hüzün–that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters–both Turkish and foreign–who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

      Istanbul
      3.8
    • On the outskirts of a town thirty miles from Istanbul, a master well-digger and his young apprentice are hired to find water on a barren plain. As they struggle in the summer heat, excavating metre by metre, the two will develop a father-son bond that neither has known before. But in the nearby town, where they spend their evenings, the boy will find an irresistible diversion. The Red-Haired Woman, an alluring member of a travelling theatre group, catches his eye, and she seems as fascinated by him as he is by her. But in his distraction a horrible accident occurs, and he will spend his life unaware of the outcome, or who the Red-Haired Woman was, until many years later.

      The red-haired woman
      3.7
    • The year is 1992. Ka, a poet and political exile, returns to Turkey as a journalist, assigned to investigate troubling reports of suicide in the small and mysterious city of Kars on the Turkish border. The snow is falling fast as he arrives, and soon all roads are closed. There's a 'suicide epidemic' amongst young religious women forbidden to wear their headscarves. Islamists are poised to win the local elections and Ka is falling in love with the beautiful and radiant Ipek, now recently divorced. Amid blanketing snowfall and universal suspicion, he finds himself pursued by terrorism in a city wasting away under the shadow of Europe. In the midst of growing religious and political violence, the stage is set for a terrible and desperate act . . . Touching, slyly comic, and humming with cerebral suspense, Snow evokes the spiritual fragility of the non-Western world, its ambivalence about the godless West, and its fury. 'A novel of profound relevance to our present moment' The Times

      Snow
      3.7
    • My name is Red

      • 688 pages
      • 25 hours of reading

      In the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and empire, to be illuminated by the best artists of the day - in the European manner. At a time of violent fundamentalism, however, this is a dangerous proposition. Even the illustrious circle of artists are not allowed to know for whom they are working.

      My name is Red
      3.7