Michael Henry Heim Books

This is the first novel by the author of Immortality, which won The Independent Award for Foreign Fiction in 1991. Milan Kundera is also the author of The Book of Laughter and Fogetting.

This parable of censorship and the modern state centers on Hanta, a trash collector whose habit of salvaging and reading discarded books has brought him both the richness of the classics and the ridicule of his boss

Attempting to go beyond the cliche of Prague as the golden city , this book brings out all its mystery, ambiguity, gloom, lethargy and hidden fascination. More than a literary and cultural history of Prague, this book seeks to be both a celebration and requiem for an oppressed culture.

In this novel - a story of irreconcilable loves and infidelities - Milan Kundera addresses himself to the nature of twentieth-century 'Being' In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. We feel, says the novelist, 'the unbearable lightness of being' - not only as the consequence of our private acts but also in the public sphere, and the two inevitably intertwine. Juxtaposing Prague, Geneva, Thailand and the United States, this masterly novel encompasses the extremes of comedy and tragedy, and embraces, it seems, all aspects of human existence. It offers a wide range of brilliant and amusing philosophical speculations and it descants on a variety of styles

The pieces collected in Lend Me Your Character—the novella "Steffie Cvek in the Jaws of Life" and a collection of short stories entitled Life Is a Fairy Tale— solidify Dubravka Ugresic's reputation as one of Eastern Europe's most playful and inventive writers. From the story of Steffie Cvek, a harassed and vulnerable typist whose life is shaped entirely by clichés as she searches relentlessly for an elusive romantic love in a narrative punctuated by threadbare advice from women's magazines and constructed like a sewing pattern, to "The Kharms Case," one of Ugresic's funniest stories ever about the strained relationship between a persistent translator and an unresponsive publisher, the pieces in this collection are always smart and endlessly entertaining.

'This book is a novel in the form of variations. The various parts follow each other like the various stages of a voyage leading into the interior of a theme, the interior of a thought, the interior of a single, unique situation the understanding of which recedes from my sight into the distance. It is a book about laughter and about forgetting, about forgetting and about Prague, about Prague and about the angels.' The Book of Laughter and Forgetting is the most secret of Kundera's novels. This new translation is the first to be fully authorized by Milan Kundera. 'An urgent, stunning book; it teaches us that when we die, what we lose is not the future but the past. I think of Kundera as the great modern descendant of Gogol and Kafka.' Carlos Fuentes

Death in Venice tells how Gustave von Aschenbach, a writer utterly absorbed in his work, arrives in Venice as a result of a 'youthfully ardent thirst for distant scenes,' and meets there a young boy by whose beauty he becomes obsessed. His pitiful pursuit of the object of his abnormal affection and its inevitable and pathetic climax is told here with the particular skill the author has for this shorter form of fiction. (blurb) Em A Morte em Veneza, Thomas Mann apresenta uma escrita complexa e profunda, onde quase cada parágrafo pode ter várias leituras. Em contraponto, o enredo é praticamente inexistente: um homem de meia-idade viaja até Veneza, apaixona-se platonicamente por um jovem rapaz polaco extremamente atraente e morre sem sequer ter trocado uma palavra com ele.

This ebullient, gallivanting novel encapsulates the world vision of the Czech Republic's best-loved author in one tumbling, breathtaking sentence. Saints and sinners, emperors and embezzlers, barmaids and balalaikas all play their part in the bawdy reminiscences of Hrabal's cobbler as he charms an audience of young beauties.

This is a collection of Neruda's funny, wry, biter-sweet and illuminating stories about life for the inhabitants of the Old Quarter of 19th-century Prague.

Developed by Professor Michael Heim (UCLA), the text contains grammar, extensive model sentences, and exercises (Part 1) and a series of review lessons (Part 2). Vocabulary and sentences are recorded along with a selection of exercises. Czech-English, English-Czech glossaries are provided. This intermediate course is particularly helpful for those who have a command of Russian. text. Product no. AFCZ10D