Florian Arleth Book order

Cultural appropriation is examined through the lens of African-American music, focusing specifically on rap within the context of Hari Kunzru's novel "White Tears." The analysis delves into the motivations of two white young men as they engage with a musical genre rooted in a culture they did not experience firsthand. The paper concludes by addressing the ethical implications of these interactions, ultimately questioning the validity of Carter's rejection of a business proposal from a white rapper.

Focusing on cultural aspects of language, this seminar paper explores the significance of subcultures in linguistic variation and communication. It highlights how recent studies have increasingly emphasized the interplay between language and cultural identity, offering insights into how subcultures influence language use. The research, conducted at the University of Heidelberg, reflects an advanced understanding of the complexities in language studies, particularly within the context of English language and literature.

Exploring the evolution of rap music, this seminar paper examines its emergence as a significant American counter-culture phenomenon, recognized for its controversial lyrics and the diverse backgrounds of its artists. It questions whether rap can be connected to the Beat Generation, an influential movement often regarded as the cornerstone of counter-culture. By analyzing these connections, the paper delves into the socio-cultural implications and artistic legacies that shape the identity of American rap music.

The complexities of translating literary texts are explored, highlighting the rigorous standards translators must adhere to. The paper discusses the significance of translations in capturing the essence of works like Scott Fitzgerald's The Great Gatsby, which has been translated into German three times. It emphasizes the challenges and nuances involved in conveying the original's themes, style, and cultural context, reflecting on the importance of translation in literature.

Hip-hop culture has historically maintained a critical stance towards the American government, often acting as a "watchdog." Since the late Eighties, political rap artists like Boogie Down Productions and Public Enemy have continued the legacy of earlier figures such as Gil Scott Heron. These musicians aim to express the national conscience through their lyrics, which range from anti-American sentiments to revolutionary calls for awareness and engagement. A significant focus of their commentary has been directed at various U.S. presidents, particularly during the Reagan and Bush administrations.