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Robert Dennhardt

    Blanchots verschwommener Tod des unauslöschlichen Autors
    Der Diskurs und die Diagonale
    Hegel und die Topologie der Poesie
    Der Begriff "Digitalcomputer" (Stibitz 1942) und das "Flipflop" (Turner 1920)
    The term digital computer (Stibitz 1942) and the flip-flop (Turner 1920)
    Tennysons "The Lady of Shalott" and her nameless desire for the veiled unveiling
    • 2016

      Exploring the complexities of digital terminology, this essay examines the historical context and significance of the term "digital computer," first introduced by George Robert Stibitz in 1942. It highlights the inconsistencies in how computer functions and properties are described across literature, emphasizing the lack of clarity regarding the distinctions between analogue, discreet, and digital systems. Stibitz's insights into the efficiency of programming with two discreet voltage levels in his report on anti-aircraft fire control underline the transformative impact of digital computing.

      The term digital computer (Stibitz 1942) and the flip-flop (Turner 1920)
    • 2007

      The paper explores the interplay between language and meaning through the lens of Umberto Eco's interpretation of Stéphane Mallarmé's ideas. It discusses the complexities of word meanings and the significance of typographic and symbolic representation in literature. The analysis emphasizes the avoidance of absolute interpretations, highlighting the fluidity of language and its impact on understanding texts. The work reflects on the broader implications for English language and literature studies, particularly in relation to the construction of meaning in literary contexts.

      Tennysons "The Lady of Shalott" and her nameless desire for the veiled unveiling