"When Adebimpe is ten, she is sold with her mother, Sanite, to plantation owner John du Marche. He soon renames her Ady but Sanite never lets her daughter forget who she really is--a person who can read and write and understand numbers. Most importantly, Sanite reminds Ady that she must never reveal these abilities to a white person, especially not her true name. Tasked with maintaining du Marche's home in vibrant New Orleans, Ady takes in the city and starts to envision life beyond her dire circumstances. One day, she notices a beautiful stranger, radiant and poised with a colorful Tignon wrapped regally around her head. Ady realizes that she is a Free Woman. Inexplicably drawn to her, but not knowing who she is or what she does, Ady begins to search for answers--which eventually brings her to Lenore, a free woman who owns the Mockingbird Inn. When Lenore invites Ady to join The Daughters, Ady finds spiritual and sexual liberation, and with their help, imagines a new future for herself and her family"--
Maurice Carlos Ruffin Books



Exploring the margins of New Orleans, this collection of character-driven stories delves into the lives of individuals facing various struggles. From a boy helping his father after prison to a couple resorting to crime amid financial despair, each narrative unveils the complexities of resilience and community. Themes of home, companionship, and survival resonate through tales of a long-time resident fighting to keep her house, a veteran finding solace with a runaway, and the urgent quest of men racing against Hurricane Katrina's floodwaters.
We Cast a Shadow
- 336 pages
- 12 hours of reading
"In a near-future Southern city, everyone is talking about a new experimental medical procedure that boasts unprecedented success rates. In a society plagued by racism, segregation, and private prisons, this operation saves lives with a controversial method--by turning people white. Like any father, our unnamed narrator just wants the best for his son Nigel, a biracial boy whose black birthmark is getting bigger by the day. But in order to afford Nigel's whiteness operation, our narrator must make partner as one of the few black associates at his law firm, jumping through a series of increasingly absurd hoops--from diversity committees to plantation tours to equality activist groups--in a tragicomic quest to protect his son. This electrifying, suspenseful novel is, at once, a razor-sharp satire of surviving racism in America and a profoundly moving family story. In the tradition ofRalph Ellison's Invisible Man, We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love"--