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"An examination of the stance towards various philosophies found in the theological works of Joseph Ratzinger"--

Students are encouraged to think beyond simple identifiers of “Muslim,” “American,” “Canadian,” or “Mexican”, and to consider how these identifiers exist in conversation with one another, and with others such as gender, class, race, sexuality, and ability. The overview chapter provides students with an introductory grounding in the field. Chapters take a multidisciplinary approach, and focus on the expressions of Islam in its diverse forms. The book is illustrated throughout with over 75 images and each chapter contains suggested further reading. A glossary of key terms and concepts is included. Case studies include Islam in Cuba, Islam and the Black experience, and the Hijab. Topics covered include Muslims and Politics in the US, Islamophobia as/and racism, Muslims in American popular media, the Latinx Muslim experience, and religious diversity in Canada. From tracing street names, such as Malcom X Boulevard in Harlem, to exploring how Islam has been constructed as a normatively male religion, this book provides a much-needed resource for students and instructors that acknowledges that Muslims navigate their identities in a world where Orientalist ideas continue to dominate politics, policy, and public imagination.

This volume examines the work of Joan Littlewood, Giorgio Strehler and Roger Planchon, demonstrating how these three directors take up key aesthetic prompts from earlier innovators – Stanislavski, the modernist avant-garde and not least Brecht – and thereby prepare the ground for contemporary, politically-engaged 'directors' theatre'. It argues that, in creating their major productions in the prosperous 'glorious decades' that followed the devastation of the Second World War, they represent a first expressly 'European' generation of theatre directors. Revisiting works from the classical dramatic canon by drawing on popular theatre traditions, and reaching out to spectators beyond the educated middle-class elite, they put theatre in the service of uniting a traumatized continent. This study posits that for Littlewood, Strehler and Planchon, theatre has the capacity to create communities.

Foreword by Alice Oseman, creator of the million-copy bestselling Heartstopper books. 'This is not a book, it is a sky filled with possibility, so let its wisdom lift you and soar!' Joseph Coelho, Children's Laureate Celebrating its 21st edition, this indispensable Children's Writers' & Artists' Yearbook provides everything you need to know to get your work noticed. With thousands of up-to-date contacts and inspiring articles from dozens of successful writers, illustrators and industry insiders, it is the ultimate resource on writing and publishing for children of all ages. Packed with insights and practical tips, it provides expert advice on: - submitting to agents and publishers - writing non-fiction and fiction across genres and formats - poetry, plays, broadcast media and illustration - self-publishing - copyright, finances and contracts - marketing, prizes and festivals - and much, much more ... New content in this edition include articles on Your Author Brand by Tom Palmer, Getting Published by Hannah Gold, Writing with empathy by Camilla Chester, What an indie bookshop can offer authors by Carrie & Tim Morris. 'Between the covers of this book is everything you need to know to get published.' Julia Donaldson

This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.

Bringing together a fascinatingly diverse yet closely related group of subjects, Where Words and Images Meet asks us to rethink what we know about words and images and how they interact. From 19th-century frontispieces to Soviet photo albums, from the relationships between portraits and biographies to museum labels, the book's richly illustrated chapters open up historically specific connections between word and image to collective examination and fruitful analysis. Written by both established and emerging scholars in a range of interrelated fields, the chapters deliberately foreground previously overlooked topics as well as unfamiliar disciplinary approaches, to offer a stimulating and carefully developed framework for looking at these ubiquitous phenomena afresh. Where Words and Images Meet opens up for analysis and reflection the forms of attention, practices, skills and assumptions that underlie visual interpretation and meaning-making in the writing of history. By bringing the features of the materials we read and look at into focus, we can grasp more effectively the complex interrelationships involved, and enhance our practice and understanding.

In this volume leading scholars assess the contributions of Max Reinhardt, Leopold Jessner and Harley Granville Barker to European theatre. Their work represents the cultural shift from traditional theatre practices of the 19th century to the rise of Modernism and its means of establishing theatre as an art form in its own right. Uncovering the theories and visions of theatre held by Reinhardt, Jessner and Barker, this volume establishes the contribution and importance of these directors in the development of modern theatre and their significance alongside the better-known names of Stanislavski and Brecht.