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"Surveys religion, science and technology, including historical global context and issues specific to the North American context, such as Native American religion"--

The Middle Ages was an era of dynamic social transformation, and notions of disability in medieval culture reflected how norms and forms of embodiment interacted with gender, class, and race, among other dimensions of human difference. Ideas of disability in courtly romance, saints' lives, chronicles, sagas, secular lyrics, dramas, and pageants demonstrate the nuanced, and sometimes contradictory, relationship between cultural constructions of disability and the lived experience of impairment.An essential resource for researchers, scholars, and students of history, literature, visual art, cultural studies, and education, A Cultural History of Disability in the Middle Ages explores themes and topics such as atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health.

This collection of topical essays by academics and industry professionals brings a unique lens to the issues broached, questions raised, and solutions offered regarding the history and advancement of digital fashion. While digital fashion's roots can be traced back to the development of the Jacquard loom, its modern-day antecedents are found in video games and Instagram filters - allowing users to apply virtual makeup, accessories, and clothes to their posts. With 12 essays and four specialist interviews, this collection begins with digital fashion's origins, its placement in the history of fashion, and its status as an aesthetic object. Part 2 focuses on the practice of making digital fashion, including NFTs, sneaker culture, cyborg vs skins and education. Part 3 provides a critical overview of digital fashion's potential to impact wider society, including questions of social equity, sustainability and African decoloniality and the future of the industry. Interviewees: Julie Zerbo, founder and Editor-in-Chief of The Fashion Law Idiat Shiole (Hadeeart), Web3 startup founder and 3D designer Jonathan M. Square, writer, historian, and curator of Afro-Diasporic fashion and visual culture Matthew Drinkwater, Head of Innovation Agency, London College of Fashion

A beautifully illustrated pocket guide to 40 of the most iconic World War II tanks. From the rapid blitzkrieg assaults to the great battles in North Africa and desperate clashes on the Eastern Front, tanks played a vital role in World War II, becoming one of the key components of the 'combined arms' philosophy of warfare. But how well do you know the most famous and infamous tanks of the period, and how their speed, armour and armament compare? Which Soviet tank proved impervious to German firepower? Which stopgap design turned out to the one of the best-armed tanks of its day? The World War II Tank Spotter's Guide answers all of these questions and more, providing essential information on 40 legendary tanks, such as the Panther, Sherman, and T-34. Featuring full-colour artwork to aid recognition, as well as all the details you need to compare their performance, this is the perfect pocket guide to the Allied and Axis tanks of World War II.

In Renaissance humanism, difference was understood through a variety of paradigms that rendered particular kinds of bodies and minds disabled. A Cultural History of Disability in the Renaissance, covering the period from 1450 to 1650, explores evidence of the possibilities for disability that existed in the European Renaissance, observable in the literary and medicinal texts, and the family, corporate, and legal records discussed in the chapters of this volume. These chapters provide an interdisciplinary overview of the configurations of bodies, minds and collectives that have left evidence of some of the ways that normativity and its challengers interacted in the Renaissance.An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in the Renaissance explores such themes and topics as: atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health.

The period covered by this volume, roughly 800-1450, was one of enormous change in the way people lived in their houses. Medieval people could call a grand castle, a humble thatched hut, or anything in between home, but houses were more than physical spaces. They changed according to technological developments, climatic needs, geological limitations and economic resources. They were also moral units that were themselves symbolic, economic, gendered, and social. At the beginning of our period, the movement of people, goods, and ideas, and the need for defense against some of this movement had an impact on how and where people lived. The codification of laws shaped how people understood the physical integrity of their homes, the reception they should give to those who wanted to enter, and their identification with the house itself. As European economies expanded in the twelfth century, householders increasingly had access to items that changed their day-to-day lives within their houses. This volume argues that through a house and its uses, occupants created, sustained, and understood their relationship to each other and their society.

This volume surveys the burst of political imagination that created multiple Enlightenment cultures in an era widely understood as an age of democratic revolutions. Enlightenment as precursor to liberal democratic modernity was once secular catechism for generations of readers. Yet democracy did not elicit much enthusiasm among contemporaries, while democracy as a political system remained virtually nonexistent through much of the period. If seventeenth- and eighteenth-century ideas did underwrite the democracies of succeeding centuries, they were often inheritances from monarchical governments that had encouraged plural structures of power competition. But in revolutions across France, Britain, and North America, the republican integration of constitutional principle and popular will established rational hope for public happiness. Nevertheless, the tragic clashes of principle and will in fraught revolutionary projects were also democratic legacies. Each chapter focuses on a distinct theme: sovereignty; liberty and the rule of law; the "common good"; economic and social democracy; religion and the principles of political obligation; citizenship and gender; ethnicity, race, and nationalism; democratic crises, revolutions, and civil resistance; international relations; and the transformations of sovereignty--a synoptic survey of the cultural entanglements of "enlightenment" and "democracy."

Drawing together contributions by scholars from a variety of fields, including theater, film and television, sociology, and visual culture, this volume explores the range and diversity of comedic performance and comic forms in the modern age. It covers a range of forms and examples from 1920 to the present day, including plays, film, television comedy, live comedy, and comedy on social media. It argues that the period covered was marked by an explosion of comic forms and a flowering of comic creativity across a range of media. From the communal watching of silent films at the start of the period, to the use of Twitter and other online platforms to share and comment on comedy, technology has brought about significant changes in its form, consumption, and social effects. As comic forms have shifted and developed, so too have attitudes to what comedy can and cannot do. This study considers its role in entertainment and in provoking consideration of a range of social and political topics. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter, and ethics. These eight different approaches to comedy add up to an extensive, synoptic coverage of the subject.

A Cultural History of the Home presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2800 years of history, charting the changing nature and uses of domestic space throughout history. This volume, A Cultural History of the Home in the Modern Age, explores the place of and the cultural practices associated with the home from 1920 to the present day. As with all the volumes in the illustrated Cultural History of the Home set, this volume presents essays on the meaning of home, family, the house as a physical space, furniture, work, gender, hospitality and religion. A Cultural History of the Home in the Modern Age is the most authoritative and comprehensive survey available on the home in the modern period.

A Cultural History of Sport in the Age of Enlightenment covers the period 1650 to 1800, a period often seen as a time of decline in sporting practice and literature. In fact, a rich sporting culture existed and sports were practised by both men and women at all levels of society. The Enlightenment called into question many of the earlier notions of religion, gender, and rank which had previously shaped sporting activities and also initiated the commercialization, professionalization and associativity which were to define modern sport. The 6 volume set of the Cultural History of Sport presents the first comprehensive history from classical antiquity to today, covering all forms and aspects of sport and its ever-changing social, cultural, political, and economic context and impact. The themes covered in each volume are the purpose of sport; sporting time and sporting space; products, training and technology; rules and order; conflict and accommodation; inclusion, exclusion and segregation; minds, bodies and identities; representation. Rebekka von Mallinckrodt is Professor at the University of Bremen, Germany. Volume 4 in the Cultural History of Sport set General Editors: Wray Vamplew, Mark Dyreson, and John McClelland