Robert Kolker Books

The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences.  Triumph Over Containment  offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from  The Thing from Another World  (1951) to  Dr. Strangelove How I Learned to Stop Worrying and Love the Bomb  (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture.  This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.

The heartrending story of a midcentury American family with twelve children, six of them diagnosed with schizophrenia, that became science's great hope in the quest to understand the disease.

A Publishers Weekly Top Ten Book of 2013 Award-winning investigative reporter Robert Kolker delivers a humanizing account of the true-life search for a serial killer still at large on Long Island, and presents the first detailed look at the shadow world of online escorts, where making a living is easier than ever and the dangers remain all too real. A triumph of reporting, a riveting narrative, and "a lashing critique of how society and the police let five young women down" (Dwight Garner, New York Times), Lost Girls is a portrait of unsolved murders in an idyllic part of America, of the underside of the Internet, and of the secrets we keep without admitting to ourselves that we keep them.

We discuss not only the making of his films, but also about those he wanted but failed to make like Burning Secret, Napoleon, Aryan Papers, and A.I. We discover what he was doing when he was not making films.

Galvinowie mogliby być ucieleśnieniem amerykańskiego snu. Dan i Mimi wzięli ślub zaraz po II wojnie światowej, rodzinę zakładali w czasach rosnącego dobrobytu, awansowali do klasy średniej, kupili piękny dom. Marzyli o dużej rodzinie i ich marzenie się spełniło, doczekali się aż dwanaściorga dzieci. Ale za zamkniętymi drzwiami rozgrywał się dramat. Jeden po drugim ich sześciu synów traciło kontakt ze światem. Diagnoza - schizofrenia - w tamtych czasach była jak wyrok dla całej rodziny. Tragedia Galvinów okazała się szansą dla psychiatrii. Przebadanie tak wielu blisko spokrewnionych osób pozwoliło naukowcom i lekarzom lepiej zrozumieć tajemnicę tej niezwykle złożonej choroby, której leczenie bywało nieraz bardziej wyniszczające niż same objawy.