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Sònia Hernández

    Sònia Hernández is a dedicated journalist and literary critic, contributing to prominent Spanish and international literary journals. Her work is characterized by a deep insight into contemporary literature and its evolution. Beyond her journalistic endeavors, she also engages with poetry and is involved in literary institutions, demonstrating a broad interest in the literary world. Her essays and critical reflections offer readers valuable perspectives on the literary landscape.

    Los enfermos erróneos
    El lugar de la espera
    Prosopagnosia
    For a Just and Better World
    • 2021

      For a Just and Better World

      • 256 pages
      • 9 hours of reading

      Caritina Piña Montalvo personified the vital role played by Mexican women in the anarcho-syndicalist movement. Sonia Hernández tells the story of how Piña and other Mexicanas in the Gulf of Mexico region fought for labor rights both locally and abroad in service to the anarchist ideal of a worldwide community of workers. An international labor broker, Piña never left her native Tamaulipas. Yet she excelled in connecting groups in the United States and Mexico. Her story explains the conditions that led to anarcho-syndicalism's rise as a tool to achieve labor and gender equity. It also reveals how women's ideas and expressions of feminist beliefs informed their experiences as leaders in and members of the labor movement. A vivid look at a radical activist and her times, For a Just and Better World illuminates the lives and work of Mexican women battling for labor rights and gender equality in the early twentieth century.

      For a Just and Better World
    • 2021

      A sly and playful novel about the many faces we all have. Fifteen-year-old Berta says that beautiful things aren't made for her, she isn't destined to have them, the only things she deserves are ugly. It's why her main activity, when she's not at school, is playing the 'prosopagnosia game' -- standing in front of the mirror and holding her breath until she can no longer recognise her own face. Berta's mother is in her forties. By her own estimation, she is at least twenty kilos overweight, and her husband has just left her. Her whole life, she has felt a keen sense of being very near to the end of things. She used to be a cultural critic for a regional newspaper. Now she feels it is her responsibility to make her and her daughter's lives as happy as possible. A man who claims to be the famous Mexican artist Vicente Rojo becomes entangled in their lives when he sees Berta faint at school and offers her the gift of a painting. This sets in motion an uncanny game of assumed and ignored identities, where the limits of what one wants and what one can achieve become blurred.

      Prosopagnosia