Jean-Patrick Manchette Books

This tour de force political thriller, told in Manchette's signature noir style, follows a group of far left extremists in the throes of post-1968 disillusionment. The thrill of 1968 is long over, and the heavy fog of the 1970s has settled in. In Paris, however, the Nada gang—or groupuscule—still retains a militant attachment to its revolutionary dreams. Bringing together an anarchist orphaned by the Spanish Civil War, a Communist veteran of the French resistance, a frustrated high-school teacher of philosophy, a timid office worker, a terminal alcoholic, and one uncompromising young woman with a house in the country, Nada sets out to kidnap the American ambassador and issue a call to arms. What could possibly go wrong?

Late one night in Paris, travelling salesman Gerfaut stops to help an injured motorist to hospital. Three days later, while Gerfaut is on holiday with his family, he is attacked by two men. Quickly realising the duo's murderous intent, but perplexed as to their motives, Gerfaut goes on the run, communicating with his family by telegram.

"No Room at the Morgue came out after Jean-Patrick Manchette had transformed French crime fiction with such brilliantly plotted, politically charged, unrelentingly violent tales as Nada and The Mad and the Bad. Here, inspired by his love of Dashiell Hammett, Manchette introduces Eugene Tarpon, private eye, a sometime cop who has set up shop after being kicked off the force for accidentally killing a political demonstrator. Months have passed, and Tarpon desultorily tries to keep in shape while drinking all the time. No one has shown up at the door of his office in the midst of the market district of Les Halles. Then the bell rings and a beautiful woman bursts in, her hands dripping blood. It's Memphis Charles, her roommate's throat has been cut, and Memphis can't go to the police because they'll only suspect her. Can Tarpon help? Well, somehow he can't help trying. Soon bodies mount, and the craziness only grows"-- Provided by publisher

An NYRB Classics Original Winner of the French-American Foundation Translation Prize for Fiction Michel Hartog, a sometime architect, is a powerful businessman and famous philanthropist whose immense fortune has just grown that much greater following the death of his brother in an accident. Peter is his orphaned nephew—a spoiled brat. Julie is in an insane asylum. Thompson is a hired gunman with a serious ulcer. Michel hires Julie to look after Peter. And he hires Thompson to kill them. Julie and Peter escape. Thompson pursues. Bullets fly. Bodies accumulate. The craziness is just getting started. Like Jean-Patrick Manchette’s celebrated Fatale, The Mad and the Bad is a clear-eyed, cold-blooded, pitch-perfect work of creative destruction.

Eugene Tarpon, a French private detective with a troubled past and a cynical view of life, navigates complex cases reminiscent of Raymond Chandler's style. Haunted by his role in a protester's death, Tarpon's character is marked by grief and weariness. The novels "Morgue pleine" and "Que d'os!" showcase his intricate investigations, blending noir elements with a deep exploration of personal and societal issues.

Set against the backdrop of Cuba's Sierra Maestra during the 1950s, this unfinished masterpiece features a bold female protagonist navigating the tumultuous period leading up to the Revolution. The narrative explores themes of courage and resistance, offering an intimate glimpse into the struggles and aspirations of those living on the brink of significant change.

The narrative unfolds through the recordings of Henri Butron, a complex character marked by arrogance and sadism, as he confronts his impending death. His story intertwines with the dark events surrounding the kidnapping and murder of a political figure, reflecting the brutal realities of postcolonial conflict. The backdrop echoes the real-life N'Gustro Affair, paralleling the 1965 abduction of Mehdi Ben Barka. Manchette crafts a chilling first-person account, exploring themes of self-deception and moral ambiguity in a world rife with violence and political intrigue.

A New York Review Books Original Whether you call her a coldhearted grifter or the soul of modern capitalism, there’s no question that Aimée is a killer and a more than professional one. Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion. Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.

Deadly professional assassin Martin Terrier returns to Paris after his latest job determined to get out of the game. Ten years ago he made a promise to return to his childhood sweetheart in the south of France. But circumstances put Martin's attempted retirement on hold: a key target is flying in to Paris, and there is only one man fit for the task of eliminating him. As Martin flees southwards, desperate to return to the crushing mediocrity of life in a backwater town, he finds his former employers will stop at nothing to regain his services for one last job. Bursting with Gallic irony and visceral brutality, The Gunman (originally published in English as The Prone Gunman) is a shocking and sardonic masterpiece from the late, great master of the French crime novel, J-P Manchette.