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Guy Vanderhaeghe

    Guy Vanderhaeghe crafts fiction that often features a keen insight into human nature and societal nuances. His writing, typically set within Canadian landscapes, explores the complexities of interpersonal relationships and the moral quandaries his characters confront. Vanderhaeghe selects his themes with a sensitivity to detail and psychological depth, rendering his characters relatable and their stories resonant. His stylistic prowess lies in his ability to evoke rich and immersive worlds.

    The Englishman's Boy
    The Last Crossing
    Dancock's Dance
    • 2009

      The Englishman's Boy

      • 352 pages
      • 13 hours of reading
      3.7(98)Add rating

      Set against the backdrop of the 1920s Hollywood and the brutal Cypress Hills Massacre, the novel explores themes of power, greed, and the allure of dreams. The stark beauty of the western landscape contrasts with the extravagance of Hollywood, creating a vivid setting for a tale filled with action and intrigue. At its heart lies the haunting journey of a young drifter known as "the Englishman's boy," whose tragic fate encapsulates the novel's rich texture and evocative portrayal of time and place.

      The Englishman's Boy
    • 2005

      Dancock's Dance

      • 128 pages
      • 5 hours of reading
      3.8(15)Add rating

      Set against the backdrop of World War I, the story unfolds within the confines of an insane asylum, where the tumult of the outside world permeates the lives of its patients. The narrative centers on a female character and five male patients, exploring their struggles with mental illness and the impact of war on their psyches. As their stories intertwine, the book delves into themes of trauma, isolation, and the search for sanity amid chaos.

      Dancock's Dance
    • 2004

      The Last Crossing

      • 480 pages
      • 17 hours of reading
      3.9(2972)Add rating

      Charles and Addington Gaunt must find their free- spirited brother, Simon, who has gone missing in the wilds of the American West. They enlist the services of a guide to lead them on their journey across a harsh and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. They are joined by Lucy Stoveall, a woman filled with rage and sorrow over the loss of her young sister Madge who was brutally murdered. She is on a vengeful mission to track down and kill the murderous Kelso brothers. The group is joined by a jumble of other characters en route, each of whom are forced to confront their own demons. But at the novel's centre is a love story. Vanderhaeghe glides effortlessly through the patois and frontier talk, faultlessly switching from cultured English characters to American roughnecks to Scots-Canadians, and the natural prairie landscape is evoked brilliantly. Vanderhaeghe's new novel is an epic masterpiece that solidifies his place as one of Canada's best storytellers.

      The Last Crossing