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Gerhard Symons

    January 1, 1976
    The Pictureof Dorian Gray
    Animal Farm
    • All animals are equal, but some animals are more equal than others. George Orwell's fable of revolutionary farm animals - the steadfast horses Boxer and Clover, the opportunistic pigs Snowball and Napoleon, and the deafening choir of sheep - who overthrow their elitist human master only to find themselves subject to a new authority, is one of the most famous warnings ever written. Rejected by such eminent publishing figures as Victor Gollancz, Jonathan Cape and T.S. Eliot due to its daringly open criticism of Stalin, Animal Farm was published to great acclaim by Martin Secker and Warburg on 17 August 1945. One reviewer wrote 'In a hundred years' time perhaps Animal Farm ... may simply be a fairy story: today it is a fairy story with a good deal of point.' Seventy-five years since its first publication, Orwell's immortal satire remains an unparalleled masterpiece and more relevant than ever. The authoritative text with an introduction by Christopher Hitchens.

      Animal Farm
    • "This revised Norton Critical Edition, like its predecessor, is the only edition available that includes both the 1890 Lippincott's and the 1891 book version of The Picture of Dorian Gray. Under the editorial guidance of Wilde scholar Michael Patrick Gillespie, students have the opportunity to read comparatively both published versions of this controversial novel." ""Backgrounds" and "Reviews and Reactions" allow readers to gauge The Picture of Dorian Gray's sensational reception when the 1890 version appeared and to consider the heated public debate over art and morality that followed its publication. Joris-Karl Huysmans, Walter Pater, and Oscar Wilde offer a sense of the diverse opinions on these topics. Eight contemporary reviews and comments on the novel are reprinted, among them four opinions from the St. James's Gazette immediately after publication in 1890, each followed by Oscar Wilde's vehement reply." ""Criticism" includes seven new essays on the novel that reflect key changes in interpretive theory in recent years and reveal the broad range of perspectives associated with Wilde and The Picture of Dorian Gray. Simon Joyce, Donald L. Lawler, Sheldon W. Liebman, Maureen O'Connor, Ellie Ragland-Sullivan, John Paul Riquelme, and Michael Patrick Gillespie provide their varied assessments. A Chronology and a Selected Bibliography are also included."--BOOK JACKET.

      The Pictureof Dorian Gray