Felicity Hayes-McCoy is an Irish author celebrated for her engaging novels set in a fictional county on Ireland's West Coast. Her writing is often described as 'blazingly beautiful' and a 'pitch-perfect delight,' with readers valuing her ability to craft sunny and heartwarming narratives. Hayes-McCoy demonstrates a keen eye for detail and a profound understanding of human relationships, creating work that is both uplifting and insightful. Her prose, at once touching and witty, resonates with those who appreciate stories that are comforting yet thoughtful.
'How do we know that what we remember is the truth?' By mapping her family's
stories onto the history of the Irish State, this reveals the mixed messages
of Felicity's youth. Examines the consequences when memories are manipulated
or obliterated, intentionally or by chance.
Foreword by Alice Taylor. An emigrant to England in the 1970s, Felicity knew
she'd return to Corca Dhuibhne, Ireland's Dingle peninsula. Now she and her
English husband have restored a stone house there, the focus for this
chronicle in response to reader requests for an illustrated sequel to The
House on an Irish Hillside.
'From the moment I crossed the mountain I fell in love. With the place, which was more beautiful than any place I'd ever seen. With the people I met there. And with a way of looking at life that was deeper, richer and wiser than any I'd known before. When I left I dreamt of clouds on the mountain. I kept going back.' We all lead very busy lives and sometimes it's hard to find the time to be the people we want to be. Twelve years ago Felicity Hayes-McCoy left the hectic pace of the city and returned to Ireland to make a new life in a remarkable house on the stunning Dingle peninsula. Beautifully written, this is a life-affirming tale of rediscovering lost values and being reminded of the things that really matter.
Set in the very different worlds of cosmopolitan London and a sleepy village
in Ireland's Wicklow mountains, The Keepsake Quilters tells the stories of
four generations of women and the patchwork of fabrics that reconciles their
unspoken family past with their dysfunctional present, offering the prospect
of a joyful future