David Staction Book order

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The last of the three trilogies authored by David Stacton (1923-68) was described by the author as 'an intermezzo designed to deal with sexual relations'. After Old Acquaintance (1962) and Sir William (1963) came Kaliyuga (1965), described by Stacton as 'the story of the relations of Siva and Kali, lightly told'.Its chief figures are Charlie and Denise, an American couple in Switzerland, prone to domestic spats. After one such set-to Charlie finds himself wishing men were gods, so to be spared the banality of life's cyclical little dramas. But he knows not of what he speaks or wants. In Hindu mythology the gods go round and round as we do, making the same mistakes - as Charlie and Denise will discover.

Sir William (1963) was the second entry in David Stacton's triptych of novels on the theme of 'The Sexes', for which he chose to fictionalise one of history's great love affairs. 'David Stacton's novel of the notorious ménage à trois between the fetching Lady Hamilton, her husband Sir William, and her lover, Lord Nelson, is a scintillating piece of historical fiction.' New York World-Telegram 'Stacton's best book... written with epigrammatic wit and grace.' Kirkus Reviews 'A sweeping luxuriant romp through the pre-Trafalgar life of Lady Hamilton. Her Pygmalion rescue from whoredom by the ineffable Charles Greville is wickedly told.' Sunday Times 'Stacton is a magnificent storyteller.' Book Week

'Yes, it was a crusade. But just what was it the people out there feared and hated so much? Not surely the candidate. He was a decent man. Or was that it?' With Tom Fool (1962) David Stacton concluded a triptych of novels drawn from the history of America. For this final panel he turned his eye on politics. The titular protagonist is a fictional rendering of Wendell Wilkie, unlikely Republican challenger to Franklin D. Roosevelt in the presidential election of 1940. As 'Tom Fool' endures an epic campaigning tour of thirty-one states - assisted (or dogged) by his political advisor 'Sideboard' and husband-and-wife PR consultants the Pattersons - he finds himself uncomfortably reminded that America, in its vastness and contradictions, is more than one country, and a unique conundrum to one who would be President.

With Old Acquaintance (1962) David Stacton embarked upon his third literary triptych, this one on the theme of 'The Sexes'.'Even in these one-worldly days of cultural colonies and jet-setters, most US authors trying to depict European sophistication seem indefinably out of their league, like children sashaying around in grown-up shoes. Not so David Stacton, who here recounts with relish and delight a nostalgic encounter between two Old World celebrities at an international film festival.' Time'The old acquaintances are Charlie, a successful novelist with four wives and a succession of young men in his past, and Lotte, a German singer and movie star, now American. Their acquaintanceship dates back thirty years to their youth in Berlin... David Stacton has a spectacular, erudite way with the fun and games...' Kirkus Reviews

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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