Marriage can be understood as a rite of passage that marks a fundamental transformation in a person’s life, legally, politically, and economically, and often in that person’s self-conception, as an individual and in terms of his or her place in society. This transformation combines and blurs various themes. We focus here on the following aspects, which are integral to the articles in this issue: the private and the public, tradition and innovation, the collective and the individual. The media play a crucial role in shaping all of these categories and their relationship. Finally, we consider the connections between marriage and religion, for a wedding is not per se religious. In the contemporary European context in particular, a wedding can take the form simply of the signing of a socio-legal contract. But nevertheless – or perhaps exactly therefore – marriages are often staged ritualistically and linked to religious symbols, worldviews, and norms.
Anna-Katharina Höpflinger Book order




- 2018
- 2016
In his controversial poem “I Sing the Body Electric”, Walt Whitman glorified the human body in all its forms. The world according to Whitman is physical and sensual. Bodies are our fundamental way of being – being in the here and now, being in time and space. Bodies we have and bodies we are are as much sensed, felt, experienced, seen, or heard as they are material objects.2 As bodies, we are in space, and through our bodies, their processes, their practices, their skills, we leave traces in space and time and extend ourselves in space. Bodies that extend and reach out and ommunicate through voice, as well as how voice materialises the immaterial, was the topic of a colloquium, “I Sing the Body Electric”, held at the University of Hull, United Kingdom, in 2014, which in turn inspired the following special issue of the Journal for Religion, Film and Media (JRFM). Following on from the colloquium’s inspiration, this JRFM issue is dedicated to the interrelation between religion, body, technology, and voice and its analysis from an interdisciplinary perspective using approaches from musicology, philosophy, and religious studies.