Bret Easton Ellis Book order (chronological)

Bret Easton Ellis's new novel explores the end of innocence and the challenging transition from adolescence to adulthood in a vividly fictionalized Los Angeles in 1981, where a serial killer targets teenagers. Seventeen-year-old Bret, a senior at Buckley prep school, becomes captivated by the enigmatic new student, Robert Mallory, who harbors a secret while integrating into Bret's close-knit group. As Bret's obsession with Mallory deepens, he becomes increasingly fixated on the Trawler, a serial killer whose threats and acts of violence seem to encroach upon their lives. The eerie coincidences blur the line between reality and Bret's imagination, as he grapples with the dangers surrounding him. Distrustful of his friends and his own perceptions, Bret descends into paranoia and isolation, with the looming connection between the Trawler and Mallory driving the narrative toward a tense climax. Set against the nostalgic backdrop of pre-Less Than Zero L.A., this novel masterfully intertwines fact and fiction, delving into the emotional complexities of Bret's life at seventeen, encompassing themes of sex, jealousy, obsession, and rage. Gripping and darkly humorous, it showcases Ellis's distinctive storytelling prowess.

Bret Easton Ellis is most famous for his era-defining novel American Psycho and its terrifying anti-hero, Patrick Bateman. With that book, and many times since, Ellis proved himself to be one of the world's most fearless and clear-sighted observers of society - the glittering surface and the darkness beneath. In White, his first work of non-fiction, Ellis offers a wide-ranging exploration of what the hell is going on right now. He tells personal stories from his own life. He writes with razor-sharp precision about the music, movies, books and TV he loves and hates. He examines the ways our culture, politics and relationships have changed over the last four decades. He talks about social media, Hollywood celebrities and Donald Trump. Ellis considers conflicting positions without flinching and adheres to no status quo. His forthright views are powered by a fervent belief in artistic freedom and freedom of speech. Candid, funny, entertaining and blisteringly honest, he offers opinions that are impossible to ignore and certain to provoke. What he values above all is the truth. 'The culture at large seemed to encourage discourse,' he writes, 'but what it really wanted to do was shut down the individual.' Bret Easton Ellis will not be shut down.

Clay, a successful screenwriter, has returned from New York to Los Angeles to help cast his new movie, and he's soon drifting through a long-familiar circle that will leave him no choice but to plumb the darkest recesses of his character and come to terms with his proclivity for betrayal.

Imagine becoming a bestselling novelist while still in college, and almost immediately famous and wealthy, then seeing your insufferable father reduced to a bag of ashes in a safety-deposit box, even as your celebrity drowns in a sea of vilification, booze and drugs.

Bushnell's beat is that demi-monde of nightclubs, bars, restaurants and parties where the rich come into contact with the infamous, the famous with the wannabes and the publicity-hungry with the gossip-peddlers' EVENING STANDARD Wildly funny, unexpectedly poignant, wickedly observant, SEX AND THE CITY blazes a glorious, drunken cocktail trail through New York, as Candace Bushnell, columnist and social critic par excellence, trips on her Manolo Blahnik kitten heels from the Baby Doll Lounge to the Bowery Bar. An Armistead Maupin for the real world, she has the gift of assembling a huge and irresistible cast of freaks and wonders, while remaining faithful to her hard core of friends and fans: those glamorous, rebellious, crazy single women, too close to forty, who are trying hard not to turn from the Audrey Hepburn of BREAKFAST AT TIFFANY'S into the Glen Close of FATAL ATTRACTION, and are - still - looking for love.

The author of American Psycho and Less Than Zero continues to shock and haunt us with his incisive and brilliant dissection of the modern world.In his most ambitious and gripping book yet, Bret Easton Ellis takes our celebrity obsessed culture and increases the volume exponentially. Set in 90s Manhattan, Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with one beautiful model and having an affair with another onthe eve of opening the trendiest nightclub in New York City history.And now it's time to move to the next stage. But the future he gets is not the one he had in mind. With the same deft satire and savage wit he has brought to his other fiction, Bret Ellis gets beyond the facade and introduces us, unsparingly, to what we always feared was behind it. Glamorama shows us a shadowy looking-glass reality, the juncture where fame and fashion and terror and mayhem meet and then begin to resemble the familiar surface of our lives."

The setting is Los Angeles, a place embodying American myths and dreams, where a group of individuals grapples with the seductive beauty of their environment and their own moral decay. This narrative chronicles their voices, weaving an intense, impressionistic tale that transcends gender, generation, and identity, all reflecting a profound spiritual emptiness. Each character reveals connections—classmates, estranged spouses, a rock star and his entourage, and fleeting encounters—yet they remain fundamentally disconnected. A father tries to reconnect with his son during a holiday in Hawaii, while a car crash in the desert and a plane crash in the mountains punctuate their lives. A girl journeys home by train, while another spends her last days on the beach, and a couple visits the zoo, uncertain if it’s their final trip. Through these stories, the characters either escape, condemn, or accept their fates, aware that the superficial brightness of their lives cannot save them. With clarity and emotional depth, the author explores the struggle for coherence in a seemingly lost world. The work is savagely funny, poignant, and unflinchingly honest, exposing both the city and the era it represents.

Chokerende afsløring af den amerikanske drøms bagside. Hovedpersonen er en ung finansmand i New York, og romanen registrerer minutiøst hans overfladiske yuppietilværelse og hans natlige eskapader af pervers sex, vold og mord

Lauren, who changes her course subject every time she changes her sleeping partner, is the centre of a curious love triangle which involves the shrewd and passionate bisexual Paul, and Sean whose ambivalence and cynicism conceal - even from himself - his own romantic yearnings. Through each of the character ́s voices Ellis presents a kaleidoscopic view of clashing expectations and frustrations, of the dreams and tumultuous desires of youth. ''The rules of attraction'' paints a poignant and sometimes hilarious picture of the couplings and capitulations, the dramas and downfalls of american college life in the 1980s.

Clay comes home on break from his East Coast college to a landscape of limitless privilege and absolute moral entropy, where the natives drive Porsches, dine at Spago, and gobble their Quaaludes from Pez dispensers. Where else can Clay go but down? "A teenage slice-of-death novel, no holds barred".--VILLAGE VOICE. Copyright © Libri GmbH. All rights reserved.