Alexander Issajewitsch Solschenizyn Books

Focusing on the harrowing realities of the Soviet forced labor camp system, this three-volume non-fiction work combines Solzhenitsyn's personal experiences with a wealth of testimonies, reports, and legal documents. Written between 1958 and 1968 and published in 1973, it serves as a profound literary investigation into the lives of those imprisoned in the Gulag, shedding light on the brutality and inhumanity of the regime. The text stands as a critical historical account and a powerful testament to human resilience.

Set against the backdrop of March 1917, the narrative explores the revolutionary turmoil emanating from Petrograd, which significantly impacts the front lines of World War I. The story delves into the forces contributing to Russia's impending collapse, highlighting the chaotic intersection of war and revolution. Themes of disintegration and the struggle for power are woven throughout, capturing a pivotal moment in Russian history.

The Gulag Archipelago is Solzhenitsyn's masterwork, a vast canvas of camps, prisons, transit centres and secret police, of informers and spies and interrogators and also of heroism, a Stalinist anti-world at the heart of the Soviet Union where the key to survival lay not in hope but in despair. The work is based on the testimony of some two hundred survivors, and on the recollection of Solzhenitsyn's own eleven years in labour camps and exile. It is both a thoroughly researched document and a feat of literary and imaginative power. This edition has been abridged into one volume at the author's wish and with his full co-operation.

Part two of this trilogy, reveals the experience of the hard-labor camps in Soviet Russia.

Solzhenitsyn's magnum opus delves into the Russian Revolution through a meticulously researched historical novel enriched with contemporary newspaper headlines, street action fragments, and cinematic screenplay elements. The narrative unfolds in three key nodes: August 1914 and November 1916, which explore Russia's crises, revolutionary terrorism, and the missed opportunities of Pyotr Stolypin's reforms, culminating in the disillusionment of patriotism as World War I ravages the nation. The third node, March 1917, captures the essence of the Russian Revolution, detailing the collapse of the Imperial government amid mob violence and the opposition's inability to steer events. Set from March 8-12, the first book introduces over fifty characters during the tumultuous days when the Russian Empire begins to disintegrate. Bread riots in Petrograd escalate unchecked, leading to police casualties and army mutinies. The horrified anti-Tsarist bourgeoisie rush to claim provisional power, while socialists establish a Soviet to challenge their authority. Meanwhile, Emperor Nikolai II is away at military headquarters, leaving his wife, Aleksandra, isolated with their sick children. The stability of the Russian state hangs in the balance, drawing comparisons to Tolstoy's War and Peace, as both works aim to narrate an era's story with universal significance.

The book commemorates the centenary of the Russian Revolution through Aleksandr Solzhenitsyn's epic narrative. It is part of "The Red Wheel" series and delves into the events of March 1917, offering a profound exploration of the historical and social upheavals during this pivotal time in Russian history. Solzhenitsyn's insights provide a deep understanding of the revolution's impact, reflecting on the complexities of human experience amid turmoil.

Cancer Ward examines the relationship of a group of people in the cancer ward of a provincial Soviet hospital in 1955, two years after Stalin's death. We see them under normal circumstances, and also reexamined at the eleventh hour of illness. Together they represent a remarkable cross-section of contemporary Russian characters and attitudes. The experiences of the central character, Oleg Kostoglotov, closely reflect the author's own: Solzhenitsyn himself became a patient in a cancer ward in the mid-1950s, on his release from a labor camp, and later recovered. Translated by Nicholas Bethell and David Burg.

In the First Circle depicts the lives of the occupants of a sharashka (a research and development bureau made of GULAG inmates) located in the Moscow suburbs. This novel is highly autobiographical. Many of the prisoners (zeks) are technicians or academics who have been arrested under Article 58 of the RSFSR Penal Code in Joseph Stalin's purges following the Second World War. Unlike inhabitants of other gulag labor camps, the sharashka zeks were adequately fed and enjoyed good working conditions; however, if they found disfavor with the authorities, they could be instantly shipped to Siberia. The title is an allusion to Dante's first circle, or limbo of Hell in The Divine Comedy, wherein the philosophers of Greece, and other virtuous pagans, live in a walled green garden. They are unable to enter Heaven, as they were born before Christ, but enjoy a small space of relative freedom in the heart of Hell.

This writing is a personal narrative of Solzhenitssyn's ten-year war to outwit Russia's rulers and get his work published in his own country.

Describes individual escapes and attempted escapes from Stalin's camps.

Solzhenitsyn short piece on the Perils of misconceptions about Russia for America

Alexander Solzhenitsyn and six dissident colleagues who at the time of publication were still living in the USSR — six men totally vulnerable to arrest, imprisonment, or execution by the Soviet authorities — joined in the midseventies to write a book which surely remains the most extraordinary debate of a nation’s future published in modern times. Shattering a half-century of silence, From Under the Rubble constitutes a devastating attack on the Soviet regime, a moral indictment of the liberal West, and a Christian manifesto calling for a new society — one whose dominant values would be spiritual rather than economic. Personally edited by the Nobel Prize-winning author, fired by his own substantial contributions, From Under the Rubble articulates Solzhenitsyn’s most fervent call to action. His daring, and the remarkable courage of his colleagues, is testament to the seriousness of their demand for a revolution in which one does not kill one’s enemies, but in which “one puts oneself in danger for the sake of the nation!” With an introduction by Max Hayward, and translated under the direction of Michael Scammell. The contributors: Alexander Solzhenitsyn, Mikhail Agursky, Evgeny Barabanov, Vadim Borisov, F. Korsakov, A.B., Igor Shafarevich.

In time for the centenary of the beginning of the Russian Revolution, a new edition of the Russian Nobelist's major work The month of November 1916 in Russia was outwardly quiet—the proverbial calm before the storm—but beneath the placid surface, society seethed fiercely. In Petrograd, as St. Petersburg was then known, luxury-store windows are still brightly lit; the Duma debates the monarchy, the course of war, and clashing paths to reform; the workers in the miserable munitions factories veer toward sedition. At the front, all is stalemate, while in the countryside sullen anxiety among hard-pressed farmers is rapidly replacing patriotism. In Zurich, Lenin, with the smallest of all revolutionary groups, plots his sinister logistical miracle. With masterly and moving empathy, through the eyes of both historical and fictional protagonists, Solzhenitsyn unforgettably transports us to that time and place—the last of pre-Soviet Russia. November 1916 is the second volume in Aleksandr Solzhenitsyn's multipart work, The Red Wheel. This volume concentrates on a historical turning point, or "knot," as the wheel rolls inexorably toward revolution.

'Can one part of humanity learn from the bitter experience of another or can it not? Is it possible or impossible to warn someone of danger...to assess soberly the worldwide menace that threatens to swallow the whole world? I was swallowed myself. I have been in the dragon's belly, in its red-hot innards. It was unable to digest me and threw me up. I have come to you as a witness to what it is like there, in the dragon's belly' During 1975 and 1976, Nobel Prize-winner Aleksandr Solzhenitsyn embarked on a series of speeches across America and Britain that would shock and scandalise both countries. His message- the West was veering towards moral and spiritual bankruptcy, and with it the world's one hope against tyranny and totalitarianism. From Solzhenitsyn's warnings about the allure of communism, to his rebuke that the West should not abandon its age-old concepts of 'good' and 'evil', the speeches collected in Warning to the West provide insight into Solzhenitsyn's uncompromising moral vision. Read today, their message remains as powerfully urgent as when Solzhenitsyn first delivered them.

“Stark . . . the story of how one falsely accused convict and his fellow prisoners survived or perished in an arctic slave labor camp after the war.”—Time From the icy blast of reveille through the sweet release of sleep, Ivan Denisovich endures. A common carpenter, he is one of millions viciously imprisoned for countless years on baseless charges,sentenced to the waking nightmare of the Soviet work camps in Siberia. Even in the face of degrading hatred, where life is reduced to a bowl of gruel and a rare cigarette, hope and dignity prevail. This powerful novel of fact is a scathing indictment of Communist tyranny, and an eloquent affirmation of the human spirit. The prodigious works of Alexander Solzhenitsyn, including his acclaimed The Gulag Archipelago, have secured his place in the great tradition of Russian literary giants. Ironically, One Day in the Life of Ivan Denisovich is the only one of his works permitted publication in his native land. Praise for One Day in the Life of Ivan Denisovich “Cannot fail to arouse bitterness and pain in the heart of the reader. A literary and political event of the first magnitude.”—New Statesman “Both as a political tract and as a literary work, it is in the Doctor Zhivago category.”—Washington Post “Dramatic . . . outspoken . . . graphically detailed . . . a moving human record.”—Library Journal

The author conceived the general concept of this novel in 1936, viewing it as the chief artistic design of his life. He considers his previous works minor in comparison, shaped by the peculiarities of his life story. The first part, set in August 1914, coincides with the outbreak of the First World War, focusing on the responsibility for Russia’s defeat at Tannenberg. The narrative is confined to the initial two weeks of the war, detailing the Russian offensive into East Prussia, which culminated in the encirclement and defeat of General Samsonov's Second Army by Hindenburg. This catastrophe exposed the decay within Tsarism and hastened its decline. The main theme is enriched by a diverse array of characters, both fictional and historical, representing various facets of Russian life. Colonel Vorotyntsev, an enlightened and ironic young staff officer, serves as a bridge between different elements of the story. Solzhenitsyn portrays Samsonov sympathetically, highlighting his role as a victim of military blunders and personal conflicts, culminating in a poignant depiction of his suicide. The novel excels in historical reconstruction and creative imagination, revealing that the guilty will evade accountability through their influence, and suggesting that Russia must ultimately undergo a rebirth. The work reflects the author's profound love for his country and concern for its people. Its English publication, translated by Michael G

Short stories and other short pieces (including some lovely prose poems) by the late Nobel Prize laureate Alexander Solzhenitsyn. Contents: Matryona's house. For the good of the cause. The Easter procession. Zakhar-the-Pauch. The right hand. An incident at Krechetovka station. Prose poems: Freedom ...

Separate publication of chapters on Vladimir Lenin, none of them published before this point, from The Red Wheel.

Like Solzhenitsyn's world famous novels One Day in the Life of Ivan Denisovich, The First Circle and Cancer Ward, For the Good of the Cause, set in a new provincial school, is a scathing indictment of the victimisation of ordinary, decent people by Soviet careerist bureaucrats. Solzhenitsyn presents the conflicts between right and wrong, between the freedom of the individual and the harshness of the system with absolute sincerity and conviction.

The first of a two-volume memoir, Between Two Millstones, Book 1 explores Aleksandr Solzhenitsyn's exile from the Soviet Union and struggles to find a home in the West.

In 1950, during one of the long winter days in a labor camp, the author contemplated how to depict his camp life. He concluded that describing a single ordinary day of a simple worker would reflect the entirety of life in the camp. This thought stayed with him for nine years until he finally wrote his story in 1959. After spending eleven years in prisons and camps, Solzhenitsyn moved from Kazakhstan to Central Russia in the summer of 1956, where he began teaching mathematics in a village and later physics and astronomy in Ryazan. The story was completed in 40 days during May and June of 1959, as the author sought to distill the essence of his rich life experience. After finishing, he hid the manuscript, only daring to submit it for publication two years later, following Khrushchev's criticism of Stalin's "cult of personality." In November 1961, friends in Moscow submitted the anonymous manuscript to the magazine "Novy Mir," where it was quickly recognized for its significance. Solzhenitsyn later acknowledged that this description accurately captured the essence of his work.

Александр Солженицын — выдающийся русский писатель XX века, классик отечественной литературы, лауреат Нобелевской премии («За нравственную силу, с которой он продолжил традиции великой русской литературы», 1970). В настоящем издании представлен «Архипелаг ГУЛАГ» — всемирно известная документально-художественная эпопея о репрессиях в годы Советской власти. «…Книга — о крови, о поте, о слезах, о страданиях, о безнадежности, а ее закрываешь с ощущением силы и света. Она показывает: человек во всех обстоятельствах может остаться человеком. Дает ощущение, что наш народ не кончился, мы прошли нижнюю точку, мы прошли катарсис. Исправлять жизнь будет трудно, но возможно» (Н. Д. Солженицына). В настоящий том вошли части I–II.

От неизлечимой болезни умирают люди - и гибнет страна. Исцеление может прийти только чудом. Быть может, если не люди, то хотя бы страна сумеет исцелиться от смертельного недуга страха?

Александр Солженицын - выдающийся русский писатель XX века, классик отечественной литературы, лауреат Нобелевской премии ("За нравственную силу, с которой он продолжил традиции великой русской литературы", 1970). В настоящем издании представлен "Архипелаг ГУЛАГ" - всемирно известная документально-художественная эпопея о репрессиях в годы Советской власти. "...Книга - о крови, о поте, о слезах, о страданиях, о безнадежности, а ее закрываешь с ощущением силы и света. Она показывает: человек во всех обстоятельствах может остаться человеком. Дает ощущение, что наш народ не кончился, мы прошли нижнюю точку, мы прошли катарсис. Исправлять жизнь будет трудно, но возможно" (Н.Д.Солженицына).

В издании представлен "Архипелаг ГУЛАГ" - всемирно известная документально-художественная эпопея о репрессиях в годы Советской власти

En 1943-1945, avant son arrestation et sa condamnation à huit ans de camp, Soljénitsyne est un soldat, responsable d'une batterie de " repérage par le son ". C'est de ses souvenirs de combattant qu'il a tiré ces deux récits, écrits en 1998. Les souffrances et la destinée de l'obscur hameau de Jéliabouga, en Russie centrale, du plus noir de la guerre à ce jour de 1995 où l'auteur y revient, est le sujet du premier récit, marqué par l'émouvante figure d'une jeune fille, Iskiteia. Le deuxième récit rend hommage au courage oublié de deux officiers et de leurs hommes, en Prusse-Orientale, par contraste avec la veulerie et l'irresponsabilité des personnels politiques. L'écrivain s'y met en scène tel qu'il était alors, patriote, amoureux de cette vie militaire, confiant dans la révolution mondiale et plein de compassion pour la détresse des populations civiles.

Quando, nel 1962, apparve sulla rivista "Novyi Mir" questo romanzo, tra i più noti e discussi di Solzenicyn, fu chiaro che qualcosa di completamente nuovo stava accadendo nella letteratura sovietica: per la prima volta, infatti, si osava descrivere la realtà dei campi di concentramento stalinisti, sebbene, come ebbe a dire Tvardòvskij, il racconto evitasse volutamente "di porre in risalto quelle aperte violazioni alla legalità sovietica che si esprimono in orrende crudeltà e arbitrii". Con questa narrazione piana, precisa, puntigliosa, priva di astio di "una delle giornate più ordinarie della vita del campo, dalla sveglia alla ritirata", Solzenicyn ci ha consegnato il racconto di un incubo che ha assunto il valore storico e letterario di una liberazione. E accanto al dubbio, al sospetto, alla tensione diffusa che avevano avvelenato la vita dei sovietici negli anni Trenta, ci sono qui il paesaggio, la lingua e l'anima della Russia che pervadono la ricerca espressiva del grande scrittore.

Alexander Solschenizyn schildert in seinem inzwischen weltberühmten Roman eine durch die Präsenz des Todes aneinandergefesselte Gesellschaft: Patienten und Ärzte, Funktionäre und Häftlinge, Denunzierte und Denunzianten in der Krebsstaion eines Krankenhauses im asiatischen Russland.

"Ein Tag im Leben des Iwan Denissowitsch" ist ein bedeutendes Werk über das Leben in einem stalinistischen Arbeitslager und begründete den Ruhm des russischen Nobelpreisträgers. Der Autor kombiniert Alltagssprache mit lyrischen Elementen, um große gesellschaftliche Probleme darzustellen. Der Band enthält auch die Erzählungen "Zwischenfall auf dem Bahnhof Kretschetowka", "Matrjonas Hof" und "Zum Nutzen der Sache".

Russian language. Книга на русском языке. Архипелаг ГУЛАГ (комплект из 3 книг) Серия: Азбука-классика Издательство: Азбука СПб Год издания: 2011 Кол-во страниц: 640 ISBN: 9785389023543 Формат: 18 x 11.5 x 2.5 Тип обложки: Мягкая глянцевая Редактор: Солженицына Н. Д. Возрастные ограничения : 18+ Документальная художественная эпопея А. И. Солженицына "Архипелаг ГУЛАГ" произвела переворот в сознании миллионов читателей во всем мире. Это история репрессий, лагерей и тюрем в Советском Союзе (их жертвой был и сам автор). Александр Солженицын .Архипелаг ГУЛАГ, 1918-1956 : опыт художественного исследования : в трех книгах.

Solschenizyn beschloss als GULAG-Häftling, die Ereignisse und das Leben der Gefangenen sowie ihrer Bewacher im Straflager-Archipel zu dokumentieren. Der vorliegende Band ist die autorisierte gekürzte Fassung seines dreibändigen Gesamtwerks, dessen erste westliche Übersetzung 1974 erschien.

"Ein Tag im Leben des Iwan Denissowitsch" über den Alltag in einem stalinistischen Arbeitslager war das aufsehenerregendste Buch, das nach dem Zweiten Weltkrieg in der Sowjetunion veröffentlicht wurde. Die in seiner Folge entstandenen und in diesem Band neu vorgelegten Erzählungen begründeten den Ruhm des russischen Nobelpreisträgers. Zwischen Alltagssprache und Pathos, lyrischen Elementen und nüchterner Beschreibung gelingt es dem Autor, anhand scheinbar banaler Vorfälle, die großen menschlichen und gesellschaftlichen Probleme seiner Zeit darzustellen. Dieser Band enthält die Erzählungen "Zwischenfall auf dem Bahnhof Kretschetowka", "Matrjonas Hof" und "Zum Nutzen der Sache".

[Teil 1] Die russisch-jüdische Geschichte 1795-1916. [Teil 2] Die Juden in der Sowjetunion.

Con fidelidad sobrecogedora, alexandr solzhenitsyn describe en archipiélago gulag el régimen de terror que imperaba en los campos de internamiento y de castigo soviéticos durante el pasado siglo xx. Gracias a su obstinación por restituir aquello que la Historia quiso borrar, solzhenitsyn devolvió la palabra a los 227 prisioneros que le brindaron sus testimonios directos y a los millones de personas «a las que les faltó la vida para contar estas cosas», para dejar constancia de uno de los episodios más lúgubres de nuestro tiempo. Escrito entre 1958 y 1967 en la más completa clandestinidad, el primer boceto de la obra fue descubierto por el KGB en septiembre de 1973. En 1974 se publicó en Occidente, como medio de presión desde los países democráticos europeos, y hasta 1990, cuando se publicó parcialmente en la revista «Nóvy Mir», archipiélago gulag estuvo vedado a los lectores rusos. Este segundo volumen recoge tres de las siete partes que componen la obra completa («Campos de trabajo y exterminio», «El alma y el alambre de espino», «El penal»), y en él se describen barbaridades como la construcción del Belomor (el canal que comunica el mar Báltico con el mar Blanco) y las argucias a las que debían recurrir los prisioneros para poder sobrevivir.

Alexander Solschenizyn thematisiert die Tapferkeit der Soldaten und das Leid der Zivilbevölkerung während der Verteidigung bei Kursk 1943 und dem Vorstoß nach Ostpreußen 1945. Diese Erfahrungen führten zu seiner Verhaftung und dem Schicksal im stalinistischen Gulag.

«Двести лет вместе (1795—1995)» — литературно-историческое исследование А. И. Солженицына, посвящённое русско-еврейским отношениям в Российской империи и СССР в период между 1795 и 1995 годами. Первая часть охватывает период с 1795 по 1916 год, вторая — с 1917 года до конца XX века.

Nach mehrjährigem Schweigen meldet sich der inzwischen achtzigjährige Verfasser des "Archipel GULAG" und Literatur-Nobelpreisträger Alexander Solschenizyn wieder zu Wort. Solschenizyn liefert in seinem neuen Buch eine fesselnde, informative und zugleich erschütternde Bestandsaufnahme des postkommunistischen Russland. Mit dem Nimbus eines Propheten, einer literarisch-politischen Ikone, 1994 aus dem amerikanischen Exil in seine Heimat zurückgekehrt, erscheint Solschenizyn heute selbst in Russland vielen als ein Rufer in der Wüste. Dennoch läßt er sich nicht beirren und legt den Finger, wie damals im sowjetischen Russland, auf offene Wunden. Solschenizyn schockiert und will schockieren, nicht nur seine Landsleute, sondern auch den westlichen Leser, will ihn betroffen machen und zugleich sensibilisieren für das Phänomen des heutigen Russland. Man kann dieses Buch auch als das politische Testament Solschenizyns lesen, will man begreifen, was sich nicht ohne zwangsläufige Auswirkung au f den Westen im äußersten Osten Europas und darüber hinaus vollzieht und noch vollziehen kann.

Содерж.: рассказы: Один день Ивана Денисовича ; Матренин двор ; Правая кисть ; Случай на станции Кочетовка ; Захар-Калита ; Настенька ; Абрикосовое варенье ; Все равно ; На изломах ; крохотки ; публицистика

Solschenizyns Roman „Der erste Kreis der Hölle“ (1968) ist eine literarische Auseinandersetzung mit der Stalin-Ära. Ursprünglich gekürzt, erschien 1978 die unzensierte Fassung. Die Handlung spielt Ende 1949 und beleuchtet das Leben in einem sowjetischen Sonderlager sowie die Machenschaften rund um Stalin.