The Letters of Paul Gauguin to Georges Daniel De Monfreid
- 198 pages
- 7 hours of reading
Paul Gauguin, inspired by the Impressionists, left a successful career in finance to pursue art full-time. In Pont-Aven, Brittany, he forged a new style known as Synthetism, ordering and simplifying sensory data to its fundamentals. His revolutionary use of color for its emotive power rather than its mimetic ability, applied in broad, dark-outlined areas, significantly influenced early twentieth-century artists. Gauguin sought the expressive potential in rural and "primitive" cultures, leading him to Tahiti where he strove to invent and express his own vision of the world, interweaving Polynesian mythology with Western elements. His works, including woodcarvings and graphics, grapple with questions of life, death, and knowledge, making him a pivotal figure in Post-Impressionism.







Unappreciated in his own lifetime, Paul Gauguin (1848-1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a primitive idyll, he left Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty, revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later. As his son Émile wrote in the preface, "These journals are an illuminating self-portrait of a unique personality. They bring sharply into focus for me his goodness, his humor, his insurgent spirit, his clarity of vision, his inordinate hatred of hypocrisy and sham."Wide-ranging and elliptical, these candid reflections reveal Gauguin's thoughts about many subjects, including frank views on his fellow artists back in Paris, his turbulent relationship with Van Gogh and the charms of Polynesian women, while providing glimpses into his often far-from-idyllic life in the islands. This beautiful facsimile reproduces the first American translation of the journals, a rare limited edition privately published in New York in 1921 for a select group of subscribers. With full-page sketches by the artist, these entertaining and enlightening musings give us a unique insight into Gauguin the man and the artist. Translated from French by Van Wyck Brooks (1886-1963)
Unsere Kalender sind auf umweltfreundlichem Papier gedruckt und vom FSC zertifiziert. 16-Monats-Kalender mit internationalen Feiertagen und den Feiertagen der wichtigsten Weltreligionen. Broschürenkalender - Fine Arts 30x30 cm (geöffnet 30x60 cm)
Paul Gaugin was a French post-impressionist artist. He is recognized for his experimental use of color and synthetist style that were distinctly different from impressionism
One of the great classics of modern art: Gauguin's own account of his time in Tahiti, in its original version
"The life of Paul Gauguin (1848--1903), who abandoned his wife, five children, and a successful career as a stockbroker to paint in poverty in exotic Tahiti, is one of the legendary tales of the art wor"
Traces the career of the post-Impressionist whose principles of color & composition strongly influenced modern paintin~~g, from his earliest works to his signature South Seas paintings of island life. Chronology. 9" x 11 3/4". Full-color plates & b&w illus.