In 2008 Houellebecq and Levy, two of France's most celebrated intellectuals, began a ferocious exchange of letters, resulting in this book. In their inimitably witty, fascinating, and confrontational correspondence they lock horns on everything, including literature, sex, politics, family, fame, and even themselves."
První dílo francouzské filosofky, teoložky a odborářky představuje sborník zdánlivě neuspořádaných úvah, myšlenek a aforismů, které však tvoří promyšlený celek, tematicky rozdělený do 39 oddílů, jejichž základními stavebními kameny jsou zlo, láska, prázdnota, oproštění, vůle, Bůh, ateismus, krása, spravedlnost, smysl života. Formulace se vyznačují přímostí, provázaností, až obsesivní "wittgensteinovskou" metodou, jíž jednotlivá témata zkoumá z různých stran. Vybízejí k meditaci. Ve své intimnosti naznačují specifický vývoj, kterým tato autorka židovského původu prošla (od mládí v buržoazním prostředí po práci v továrně a na statku, od marxismu přes příklon k anarchismu až po výrazný obrat ke křesťanství, ale i k hinduismu a dalším věroukám). Její zásadně nedogmatická, otevřená mysl v tomto díle osciluje kolem zásadní otázky spásy: jak uniknout tomu, co nás táhne dolů?
Bergson v této své práci rozpracoval originální koncepci vnímání. Vychází z rozlišení vnímání jakožto sounáležení člověka s hmotou a pamětí, díky níž se vnímání stává rozpoznáváním a přestává být pouze působením jedné části hmoty na jinou. Na základě rozlišení vnímání a paměti Bergson buduje svou verzi dualismu, v níž odlišnost těla a ducha není odlišností prostorovou, nýbrž časovou. Kniha měla nezanedbatelný vliv na celou řadu dalších francouzských filosofů (Merleau-Ponty, Hyppolite, Deleuze aj.) Přeložil A. Beguivin. 2019 dotisk vydání z roku 2003.
Traces the experiences of artist Jed Martin, who rises to international success as a portrait photographer before helping to solve a heinous crime that has lasting repercussions for his loved ones.
Michel Houellebecq's dark and disturbing novel Atomised sees him establish himself as a unique and important voice in European letters. With his first work, Whatever, Houellebecq had created a sassy, street-wise bulletin of disaffected existentialism, and here that voice brilliantly extends its range. Atomised (from the French Les Particules élémentaires) is the story of two half-brothers, Michel and Bruno, who seem to represent two sides of Houellebecq himself (there are more than a few moments in the book where we feel we are reading a strange roman à clef). Michel, a molecular biologist, finds ordinary, human emotions inexplicable, making him seem abstruse and cold. Bruno is his opposite: a frustrated libertine trapped in a body most find repellant but still holding sex up as his most validating moment. Through these skewed archetypes an intricate, sometimes quite moving story of the brothers' lives is formed. Houellebecq obviously has a formidable intellect and, like the best French writers, manages to rail against anthropology, psychoanalysis, New Age philosophy and modern society in general without losing sight of his narrative--indeed the narrative is controlled quite beautifully, the pacing excellent, the switching from one brother's story to the other's done with a quiet grace. While some of Houellebecq's views are at the least questionable, and while there are moments when the conclusions to be drawn from his broadsides are disturbing, this never negates the value of the work. This is an ambitious book in which Houellebecq asks important questions: if sex is continually degraded by its increasing commodification and, concomitantly, genetics increasingly offers us the opportunity for procreation without recourse to it, where does that leave us? How do we navigate ourselves, afloat as we are, in this new moral universe? What does the increasing pace of scientific change mean to the conversations non-scientists have about our lives? What place does something called spirituality, whatever that means, have in this brave, new world? This is a big, bold, clever book that has already achieved more than cult status in France. Houellebecq should be read, and read carefully, if not always believed. --Mark Thwaite
In "Annihilation," set in a deteriorating France in 2027, Paul Raison navigates a tense political landscape amid cyberattacks while grappling with family dynamics following his father's stroke. Michel Houellebecq infuses his narrative with newfound compassion, blending rage and tenderness in this thought-provoking novel.
Michel is a civil-servant at the Ministry of Culture. When his father is murdered, Michel takes leave of absence to go on a package tour to Thailand. Infuriated by the shallow hypocrisy and mediocrity of his fellow travellers, only the awkward Valerie att
A controversial, intelligent, and mordantly funny new novel from France’s most famous living literary figure It’s 2022. François is bored. He’s a middle-aged lecturer at the New Sorbonne University and an expert on J. K. Huysmans, the famed nineteenth-century novelist associated with the Decadent movement. But François’s own decadence is of considerably smaller scale. He sleeps with his students, eats microwave dinners, and watches YouPorn. Meanwhile, it’s election season, and in an alliance with the Socialists, France’s new Islamic party sweeps to power—and Islamic law is instituted. Women are veiled, polygamy is encouraged, and François is offered an irresistible academic advancement—on the condition that he converts to Islam. A darkly comic masterpiece from one of France’s great writers, Submission by Michel Houellebecq has become an international sensation and one of the most discussed novels of our time.
Just thirty, with a well-paid job, depression and no love life, the narrator and anti-hero par excellence of this grim, funny, and clever novel smokes four packs of cigarettes a day and writes weird animal stories in his spare time.Houellebecq's debut novel is painfully realistic portrayal of the vanishing freedom of a world governed by science and by the empty rituals of daily life.
Ignorance is bliss, or so hopes Antoine, the lead character in Martin Page's stinging satire, How I Became Stupid—a modern day Candide with a Darwin Award like sensibility. A twenty-five-year-old Aramaic scholar, Antoine has had it with being brilliant and deeply self-aware in today's culture. So tortured is he by the depth of his perception and understanding of himself and the world around him that he vows to denounce his intelligence by any means necessary in order to become "stupid" enough to be a happy, functioning member of society. What follows is a dark and hilarious odyssey as Antoine tries everything from alcoholism to stock-trading in order to lighten the burden of his brain on his soul.
